This Week in Sound: The Minister of Noise

A lightly annotated clipping service

These sound-studies highlights of the week are lightly adapted from the March 14, 2022, issue of the free Disquiet.com weekly email newsletter This Week in Sound ([tinyletter.com/disquiet](https://tinyletter.com/disquiet)).

As always, if you find sonic news of interest, please share it with me, and (except with the most widespread of news items) I’ll credit you should I mention it here.

Meet Sumaira Abdulali, aka the Indian Minister of Noise: “an eminent environmentalist, renowned for raising voice against under-recognised, severe environmental issues such as noise pollution and sand mining,” as profiled by Apoorva Phutela. ➔ [feminisminindia.com](https://feminisminindia.com/2022/03/15/lady-with-the-audiometer-environmentalist-sumaira-abdulali-activist-noise-pollution/)

Even casual sports can get loud. The sport known as pickleball gained popularity during the pandemic, due to its relative ease of entry. This had become a problem: “the rapid rise of the game — and the decibel levels, crowds and vocal advocacy it generates — has precipitated an intense backlash in communities across the country,” reports Connor Sheets. ➔ [latimes.com](https://www.latimes.com/california/story/2022-03-03/pickleball-noise-fueling-neighborhood-drama)

File under unintended consequences: Twitter Spaces posts get an extra promotional boost because Twitter is promoting Spaces in general, so people are using them to promote things other than Twitter Spaces, per Rian Broderick. Thus: “Meme accounts have noticed this and are now basically launching junk Spaces simply for the extra promotion.” ➔ [garbageday.email](https://www.garbageday.email/p/a-new-reason-to-talk-about-live-audio/)

Learn how so-called “leaky modes” can be exploited to reveal what lays beneath the earth’s surface. (“Leaky modes can occur when a seismic wave is ‘trapped,’ bouncing back and forth between two layers of rock.”) ➔ [mining.com](https://www.mining.com/how-leaky-waves-from-ambient-noise-can-reveal-what-lies-underneath-earths-surface/)

32 Sounds is a new film by Sam Green that serves as a “participatory documentary” exploring the experience of sound. Even when the movie is projected in person, viewers are expected to use headphones. “No matter the format, it’s important to experience 32 Sounds with noise-canceling headphones (which are provided at live gigs), as the movie is mixed in such a way that the direction the sound comes from is practically as important as the audio itself — plus, it helps to cut out the rustling, coughing and miscellaneous din that so easily distracts in group settings, like film festival screenings,” writes Peter Debruge. (Music: JD Samson; sound design: Mark Mangini.) ➔ [variety.com](https://variety.com/2022/film/reviews/32-sounds-review-sam-green-1235202063/)
*(Thanks, Mériol Lehmann!)*

If the intersection of acoustics and construction is your thing, then you want to read about operating rooms and sound clarity in detail. ➔ [acousticbulletin.com](https://www.acousticbulletin.com/modular-operating-rooms-provide-good-acoustics-for-surgeons)

“If music is sound produced through modification of materials to make instruments and performance spaces in which to listen, then humans are nearly unique” — from an excerpt of the new book Sounds Wild and Broken: Sonic Marvels, Evolution’s Creativity, and the Crisis of Sensory Extinction, by David George Haskell. ➔ [wired.com](https://www.wired.com/story/music-sound-biology-history/)

“Although background noises are not spoken, they can contain information about the speaker — where the speaker is and what the speaker might be doing.” James A. Larson wrote an opinion piece about voice privacy. ➔ [speechtechmag.com](https://www.speechtechmag.com/Articles/ReadArticle.aspx?ArticleID=151860)

Dune, West Side Story and Nightmare Alley won one award apiece during the Motion Picture Sound Editors’ 69th annual Golden Reel Awards.” Those were, respectivley, for effects/Foley, for music and for dialogue/ADR (which stands for Automated Dialogue Replacement). ➔
[hollywoodreporter.com](https://www.hollywoodreporter.com/movies/movie-news/mpse-sound-editors-golden-reel-awards-winners-1235109763/)

Since today is Pi Day, here’s the first 80 digits being played as musical notes, which, of course, takes roughly 3 minutes and 14 seconds. ➔ [youtube.com](https://www.youtube.com/watch?v=h6bfRv2vRoU)

Sound Ledger¹ (Leaf Blowers, Sound Documentary, Hearing Aids)

Audio culture by the numbers

50,000: Estimated cost, in $US, for a Washington, D.C., landscaping company to replace all its gas-powered leaf blowers

32: The number of sounds explored in director Sam Green’s new headphones-only documentary film (more below)

40,000: The fine, in $US, four companies have agreed to pay for “marketing their over-the-counter hearing aids as ‘FDA-approved’”

________
¹Footnotes

Blowers: [washingtonian.com](https://www.washingtonian.com/2022/03/10/gas-leaf-blowers-are-banned-in-dc-hows-that-going/). Film: [variety.com](https://variety.com/2022/film/reviews/32-sounds-review-sam-green-1235202063/). FDA: [nhregister.com](https://www.nhregister.com/news/article/Connecticut-settles-with-four-makers-of-17001172.php).

*Originally published in the March 14, 2022, edition of the This Week in Sound email newsletter [tinyletter.com/disquiet](https://tinyletter.com/disquiet).*

twitter.com/disquiet: Aphex Notes, Emoji Fatigue, Gibson Cosplay

From the past week

I do this manually each Saturday, collating most of the tweets I made the past week at twitter.com/disquiet, which I think of as my public notebook. Some tweets pop up in [expanded form](https://disquiet.com/2022/03/09/rip-ron-miles-b-1963/) or [otherwise](https://disquiet.com/2022/03/11/algorithmic-art-assembly-2022-fell-treanor-bradbury-at-gray-area/) on Disquiet.com sooner. It’s personally informative to revisit the previous week of thinking out loud. This isn’t a full accounting. Often there are, for example, conversations on Twitter that don’t really make as much sense out of the context of Twitter itself.

▰ This is the way.

▰ I use multiple communication systems and I have to translate between them based on system emoji vocabulary. Twitter: two options, heart or not. Slack: a broad range. Facebook: a range I rarely employ. Messages: usually just heart or thumb. The emotional translation can be tiring.

▰ Some of the best This Week in Sound ([tinyletter.com/disquiet](http://tinyletter.com/disquiet)) material originates with readers. Thanks to Mike Rhode, Alan Bland, and Anne Bell for some of the items in this past week’s issue.

▰ My computational devices all currently do William Gibson cosplay:

Laptop: Maas Biolabs
Kindle: Cyberdeck
Tablet: Peripheral
Phone: Count Zero

▰ One could do worse than to have a reader like Łukasz Langa share their notes after reading your book, as he did with my 33 1/3 book on Aphex Twin’s *Selected Ambient Works Vol II*. Here’s just one segment.

Also: chapter breakdowns, quotes, personal reminiscences: [lukasz.langa.pl](https://lukasz.langa.pl/5e668734-3ba1-4be1-aeb9-a682966bd708/).

Algorithmic Art Assembly 2022: Fell / Treanor / Bradbury at Gray Area

An ongoing series cross-posted from instagram.com/dsqt

I spent a lovely Friday afternoon at the podium, sharing the stage at Gray Area with (beaming in from England) Mark Fell (lower left), Rian Treanor (lower right), and James Bradbury (upper right), talking about musical interfaces that facilitate long-distance collaboration for the 2022 edition of the Algorithmic Art Assembly.

This angle always makes me feel like I’m in Florida, but it’s right here in San Francisco’s Mission District.