I do this manually each Saturday, collating most of the tweets I made the past week at twitter.com/disquiet, which I think of as my public notebook. Some tweets pop up in [expanded form](https://disquiet.com/2022/03/09/rip-ron-miles-b-1963/) or [otherwise](https://disquiet.com/2022/03/11/algorithmic-art-assembly-2022-fell-treanor-bradbury-at-gray-area/) on Disquiet.com sooner. It’s personally informative to revisit the previous week of thinking out loud. This isn’t a full accounting. Often there are, for example, conversations on Twitter that don’t really make as much sense out of the context of Twitter itself.
▰ This is the way.
▰ I use multiple communication systems and I have to translate between them based on system emoji vocabulary. Twitter: two options, heart or not. Slack: a broad range. Facebook: a range I rarely employ. Messages: usually just heart or thumb. The emotional translation can be tiring.
▰ Some of the best This Week in Sound ([tinyletter.com/disquiet](http://tinyletter.com/disquiet)) material originates with readers. Thanks to Mike Rhode, Alan Bland, and Anne Bell for some of the items in this past week’s issue.
▰ My computational devices all currently do William Gibson cosplay:
Laptop: Maas Biolabs
Kindle: Cyberdeck
Tablet: Peripheral
Phone: Count Zero
▰ One could do worse than to have a reader like Łukasz Langa share their notes after reading your book, as he did with my 33 1/3 book on Aphex Twin’s *Selected Ambient Works Vol II*. Here’s just one segment.
Also: chapter breakdowns, quotes, personal reminiscences: [lukasz.langa.pl](https://lukasz.langa.pl/5e668734-3ba1-4be1-aeb9-a682966bd708/).