Disquiet Junto Project 0505: Line Out

The Assignment: Share a track, get feedback, and give feedback.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Deadline: This project’s deadline is the end of the day Monday, September 6, 2021, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, September 2, 2021.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0505: Line Out

The Assignment: Share a track, get feedback, and give feedback.

Step 1: The purpose of this week’s project is to provide participants opportunities to get feedback on works-in-progress. Consider work you’re doing you’d appreciate responses to from fellow Junto participants.

Step 2: Either upload an existing recording (sketches and mid-process takes may prove optimal), or record something new and post it online for feedback. If there are some things in particular you’d like feedback on, mention what they are.

Step 3: After uploading, be sure to listen to the work of other participants, and to post responses.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0505” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0505” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

[https://llllllll.co/t/disquiet-junto-project-0505-line-out/](https://llllllll.co/t/disquiet-junto-project-0505-line-out/)

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Note: Please post one track per weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Deadline: This project’s deadline is the end of the day Monday, September 6, 2021, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, September 2, 2021.

Length: The length of your finished track is up to you.

Title/Tag: When posting your tracks, please include “disquiet0505” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 505th weekly Disquiet Junto project — Line Out (The Assignment: Share a track, get feedback, and give feedback) — at: https://disquiet.com/0505/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: [https://llllllll.co/t/disquiet-junto-project-0505-line-out/](https://llllllll.co/t/disquiet-junto-project-0505-line-out/)

There’s also a Disquiet Junto Slack. Send your email address to [email protected] for Slack inclusion.

The image associated with this project is by Alex McConnell, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

[https://flic.kr/p/7Enqhx](https://flic.kr/p/7Enqhx)

[https://creativecommons.org/licenses/by-nc-sa/2.0/](https://creativecommons.org/licenses/by-nc-sa/2.0/)

Sound Ledger¹ (Taking Measure of a Sound Cannon)

Audio culture by the numbers

162: The maximum output in decibels of a sound cannon approved for purchase by a local police department in New York State

12,262: Price in dollars of the device

90: Volume in decibels above which a pending state law would outlaw for “acoustic weapons”

▰ ▰ ▰

¹Footnotes: All three items this week: [timesunion.com](https://www.timesunion.com/opinion/article/Troy-does-not-need-sound-cannons-for-policing-16412336.php)

*Originally published in the [August 30, 2021, edition](https://disquiet.com/2021/08/31/this-week-in-sound-the-12262-megaphone/) of the This Week in Sound email newsletter ([tinyletter.com/disquiet](https://tinyletter.com/disquiet)).*

This Week in Sound: The $12,262 Megaphone

A lightly annotated clipping service

These sound-studies highlights of the week are lightly adapted from the August 30, 2021, issue of the free Disquiet.com weekly email newsletter This Week in Sound ([tinyletter.com/disquiet](https://tinyletter.com/disquiet)).

As always, if you find sonic news of interest, please share it with me, and (except with the most widespread of news items) I’ll credit you should I mention it here.

Your home speaker can leak what you’re saying from over 100 feet away, just with careful observation of fluctuation in its LED. “The results aren’t crystal clear,” reports Andrew Liszewski, “and the noise increases the farther away from the speaker the capture device is used, but with some intelligent audio processing, the results can undoubtedly be improved.”
[https://gizmodo.com/eavesdroppers-can-hear-what-speakers-are-playing-by-wat-1847555441](https://gizmodo.com/eavesdroppers-can-hear-what-speakers-are-playing-by-wat-1847555441
)
[https://www.nassiben.com/glowworm-attack](https://www.nassiben.com/glowworm-attack)

Gravitational waves are “ripples in spacetime” and a new resonator may have identified high-frequency ones never recorded before. But it could be something else: “Besides gravitational waves,” writes Isaac Schultz, “other explanations for the signal could be interference from other particles making their way through the detector, a nearby meteor, the detector itself having a technical problem, or, perhaps most tantalizingly — high-mass dark matter candidates.”
[https://gizmodo.com/new-dark-matter-detector-records-rare-high-frequency-e-1847555426](https://gizmodo.com/new-dark-matter-detector-records-rare-high-frequency-e-1847555426)

“Troy police plan to purchase a high-decibel long-range acoustic device, called an LRAD or sonic cannon,” writes Melanie Trimble, a regional director of the New York Civil Liberty Union, in an opinion piece. “The Troy City Council has approved the purchase of military-style crowd-control tools for the Troy Police Department. Troy is just one of the many police departments across the state that are becoming increasingly militarized. And all too often, these crowd-control weapons provoke violent confrontations.” Why, asks Trimble, is it necessary to purchase “what will essentially serve as a $12,262 megaphone”?
[https://www.timesunion.com/opinion/article/Troy-does-not-need-sound-cannons-for-policing-16412336.php](https://www.timesunion.com/opinion/article/Troy-does-not-need-sound-cannons-for-policing-16412336.php)

A device developed by the US Navy can cancel out someone’s speech in real time. It “records a target’s speech with a long-range microphone and plays it back to them with a tiny delay,” per David Hambling. (Via subtopes)
[https://www.newscientist.com/article/2287973-sneaky-us-navy-feedback-device-could-stop-people-being-able-to-speak/](https://www.newscientist.com/article/2287973-sneaky-us-navy-feedback-device-could-stop-people-being-able-to-speak/)

A long in the works audio device developed by Kanye West reportedly can “split any song into stems,” which the user can then manipulate. The device, called the Stem Player, was created in collaboration with the company Kano, best known for its Raspberry Pi computer kits for kids. How exactly these stems are extracted remains unclear.
[https://www.stemplayer.com/](https://www.stemplayer.com/)

A man served a almost a full year in prison reportedly for incorrect data from ShotSpotter, “a network of surveillance microphones that uses a secret AI-powered algorithm to identify and triangulate gunshots with varying degrees of success.” The arrest took place in Chicago, Illinois. Writes Nathan Ord, “[I]t appeared that this loud noise was identified by the AI as a firecracker with a 98% confidence rating. However, an employee reclassified the sound to a single gunshot a minute after detection.” Reminder: AI is people, on both sides of the algorithm. (Via subtopes)
[https://hothardware.com/news/man-jailed-over-ai-powered-gunshot-detection](https://hothardware.com/news/man-jailed-over-ai-powered-gunshot-detection)

The villain in the rebooted film Candyman is the title character, but an AI audio advertising campaign provides its own reasons for concern. The web-based interface allows for tracking, per Chris Sutcliffe: “you can track visitors’ experience, which is a really good engagement stat to bring back to the client.” To the filmmakers’ credit, if you opt not to share your voice, there’s a humorous animated GIF that says “Don’t. Don’t say that.”
[https://www.thedrum.com/news/2021/08/25/say-his-name-how-horror-movie-candyman-using-voice-activated-ar-engage-audiences
](https://www.thedrum.com/news/2021/08/25/say-his-name-how-horror-movie-candyman-using-voice-activated-ar-engage-audiences
)
[https://idareyou.candymanmovie.com/](https://idareyou.candymanmovie.com/)

“The cello provides a lot of warmth you don’t normally hear in hold music.” That’s composer Justin Sherburn talking with Dan Solomon about the gentle instrumental tracks he and the ensemble Montopolis recorded as hypothetical replacements for the repetitive beep that plays when waiting for the Texas Workforce Commission to address your employment issues. Following NPR coverage of an album of Sherburn’s music, the Commission has actually adopted it for use on their phone calls.

[https://www.texasmonthly.com/being-texan/texas-workforce-commission-hold-music/](https://www.texasmonthly.com/being-texan/texas-workforce-commission-hold-music/)
[https://montopolismusic.com/album/1853128/texas-workforce-commission-hold-music](https://montopolismusic.com/album/1853128/texas-workforce-commission-hold-music)

People may be upset about the machine-generated Anthony Bourdain spoken segments in a recent documentary, but actor Val Kilmer is thankful for the technology. He worked with the company Sonantic to re-create his voice after losing it to throat cancer, reports Eric Mack. (The voice doesn’t appear in the recent Kilmer documentary, Val.)
[https://www.cnet.com/news/hear-val-kilmers-voice-re-created-by-ai-after-throat-cancer-took-it-away/](https://www.cnet.com/news/hear-val-kilmers-voice-re-created-by-ai-after-throat-cancer-took-it-away/)

A short episode of the Atlas Obscura podcast takes listeners to the Tank, a massive (seven stories) industrial structure in Colorado now used as a music performance space, known for its extensive reverberation. (Thanks, Mike Rhode!)
[https://www.atlasobscura.com/articles/podcast-the-tank](https://www.atlasobscura.com/articles/podcast-the-tank)

The Havana syndrome, which is not the name of a Michael Crichton novel, delayed U.S. Vice President Kamala Harris’ trip to Vietnam. The syndrome had initially been attributed to a purported sonic weapon, the existence of which remains a topic of debate. Per the Associated Press’ Alexandra Jaffe and Jonathan Lemire: “Some of those impacted report hearing a loud piercing sound and feeling intense pressure in the face. Pain, nausea, and dizziness sometimes followed.” From the Economist: “CIA officers working at the American embassy described the sensation of pressure in their heads and the sound of what sounded like a swarm of cicadas.”
[https://apnews.com/article/havana-vietnam-86a12de5be0f755406ef19522f11b2b0](https://apnews.com/article/havana-vietnam-86a12de5be0f755406ef19522f11b2b0)
[https://www.economist.com/the-economist-explains/2021/08/23/what-is-havana-syndrome-the-puzzling-malady-plaguing-western-diplomats](https://www.economist.com/the-economist-explains/2021/08/23/what-is-havana-syndrome-the-puzzling-malady-plaguing-western-diplomats)

Sound Verbs

From This Week in Sound

For at least the last 34 issues of the This Week in Sound email newsletter ([tinyletter.com/disquiet](https://tinyletter.com/disquiet)), I’ve swapped out a different verb each time to close out the introductory section. The following are those 34 words in reverse chronological order of their use in the newsletter.

swish, crackle, thwack, clang, chirrup, howl, mumble, bay, hiss, mutter, sibilate, blow, nasalize, burble, resound, whisper, purr, sigh, bombinate, rustle, intone, echolocate, susurrate, murmur, buzz, hum, trill, vibrate, whir, harmonize, drone, thrum, rumble, oscillate

Do you have any favorite verbs related to sound?