Disquiet Junto Project 0158: Syllable Gumbo

The Assignment: Go from noise to signal with words.

20150108-syllablegumbo

Each Thursday in [the Disquiet Junto group on SoundCloud.com](https://soundcloud.com/groups/disquiet-junto/) and [at Disquiet.com](https://disquiet.com/tag/junto/), a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate.

Tracks will be added to this playlist as the project proceeds:

This assignment was made in the early evening, California time, on Thursday, January 8, 2015, with a deadline of 11:59pm wherever you are on Monday, January 12, 2015.

These are the instructions that went out to the group’s email list (at [tinyletter.com/disquiet-junto](http://tinyletter.com/disquiet-junto)):

Disquiet Junto Project 0158: Syllable Gumbo

The Assignment: Go from noise to signal with words.

Quite often Disquiet Junto projects actively avoid the human voice. This week’s project engages directly with the voice, and with language.

Step 1: Select the least important story on the front page of your local newspaper or the home page of your local newspaper’s website.

Step 2: Select the first or first two sentences of that story. Combined the resulting text should have between roughly 15 and 25 words.

Step 3: Record yourself, or someone else, reading the text aloud. You can use text-to-speech, though it is by no means required.

Step 4: Break the recording from step 3 into tiny parts.

Step 5: Produce an original piece of music in which the randomized “noise” of those tiny parts heard out of order slowly, over the course of one or two minutes, comes to form the full original statement.

Step 6: Add tonal and rhythmic material to the results of step 5.

Step 7: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 8: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: 11:59pm wherever you are on Monday, January 12, 2015.

Length: The length of your finished work should be between one minute and two minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0158-syllablegumbo”in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 158th Disquiet Junto project — “Go from noise to signal with words”— at:

Disquiet Junto Project 0158: Syllable Gumbo

More on the Disquiet Junto at:

https://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

https://disquiet.com/forums/

Photo associated with this project by Beanbag Amerika used via Creative Commons license:

Alphabet miso.

She Steadies the Noises with Her Harmonium

"External Cabinet" by Yiva Lund Bergner

20150107-ylb

The harmonium is the steadying presence in “External Cabinet” by Yiva Lund Bergner. Amid her sheer, chilling, buzz-saw noise, and fragile splinters of sharp, momentary bursts, and whirligig juts, and rattly percussive overlays, there is the settling calmness of gently speculative keyboard movements. The organ sound provides an underlying drone that in turn serves as a glue for the other constituent parts.

The piece is fully scored for harmonium and electronics, and the score is available for download as a [PDF](https://dl.dropboxusercontent.com/u/18579541/External%20cabinet_WElectronicsFrontpage.pdf) from her website. The detail shown below, from the first page of the score, describes how the percussive elements, as the composition’s title suggests, are the result of using the harmonium casing as an instrument unto itself.

20150107-ylb-score

More from Bergner, who hails from Sweden and currently lives in Copenhagen, Denmark, at [ylvalundbergner.com](http://www.ylvalundbergner.com/).

13 Minutes from the Next Ryuichi Sakamoto Album

Live in concert with Illuha and Taylor Deupree

Taylor Deupree has posted a taste of a forthcoming record that features him as part of a quartet, alongside Japanese legend Ryuichi Sakamoto and the duo Illuha (Corey Fuller and Tomoyoshi Date). The posted music is the final movement of three that comprise the forthcoming album *Perpetual*, due for January 27 release on Deupree’s 12k label. It was recorded live as part of the 10th anniversary festivities of the Yamaguchi Center for Arts and Media. The piece is nearly 13 minutes long and consists of a slow piano line that emerges from a mix of drone and texture, a rich field of sound given tension and grounding by a constant scraping, perhaps the most elemental of percussion sounds.

Track originally posted at [soundcloud.com/12k](https://soundcloud.com/12k/sets/ryuichi-sakamoto-illuha-taylor). More on the release at [12k.com](http://www.12k.com/index.php/site/releases/perpetual/).