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Sounding out technology.
Composing in code.

tag: doorbell

Fuzzy Sigil

An ongoing series cross-posted from instagram.com/dsqt

While not quite the Fibonacci sequence, these 10 buttons at the entrance to an apartment building do make the visitor wonder what’s next. In fact, you’re left wondering before the sequence is even over. There are 8 buttons, numbered as such, and then what can be deciphered as “basement” (“BAST”? Why not “BSMT”?) and then … then it gets odd. There are twin rows of information to go by: the legible digits scrawled on the gate surface with a magic marker, and the almost-rubbed-off ones on the buttons themselves (apartment 6 seems to have been quite popular, judging by the wear; 4 not so much). Which leaves the fuzzy sigil on the 10th button noticeably uncertain. It looks like a 9, but why does it come after the basement and not before? What logic explains this ordering? And come to think of it, prior to “BAST” having been written above the basement button, what exactly was inked on the button itself? Gotta love a good mystery, especially a makeshift one.

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Oldie but a Goodie

A mystery grid

Took a walk to the bay and back and passed this old friend, one of more mysterious doorbells in the neighborhood. Twelve buttons sit in a blank grid at the front of a multiple-unit dwelling. Absent of labels, the mechanism begs the question as to how these buttons are employed. Are there a dozen units? Is it a very large numeric keypad with a single entry code? Is this a palatial single residence disguised as an apartment building?

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Counter-intuitive, Counter-clockwise

An ongoing series cross-posted from instagram.com/dsqt

What a thing of beauty. Four buttons in two vertical pairs, tan ones on the right, white on the left. For no apparent reason, the lowest number of the four addresses is in the lower right, and then the others proceed counter-clockwise, which is to say counter-intuitively: 303, 305, 307, 309. The two labels on the right are from a different era than the one in the lower left. Both typefaces, however, share an oddness: the threes overly stylized, the zeros out of proportion. (It’s as if in the intervening years, the label maker was upgraded, but the product number remained the same, so when time came for a replacement, a process-oriented property manager trusted the paperwork and not their eyes.) As for poor 307, it lost its label long enough ago that the subsequent hand-written number has, itself, faded, left virtually illegible without the context of the neighboring units. Someone, at least, has learned a lesson and taken preemptive action with 303, reinforcing the label’s aging message with black magic marker. But what giveth also taketh away. The same marker appears to have been used to draw an arrow on the 303 button. It points up and to the left. That instruction remains open for interpretation.

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Ress the Bell Long …

Welcome grammar

There is a certain irony to the word “press” having been worn off. Especially in such close proximity to the bell that the noun references, and especially since the phrase “the bell” shows no particular sign of ware. Nor, for that matter, does the button itself, the button one hits to ring the bell. So, two questions:

First, what is that circular item directly above the words “the” and “bell”? It looks like some sort of small coin, a mark of a secret organization, an emblem of some rank or other. Is it a form of welcome to those who recognize it?

Second, about that word “long”: It’s an adjective, not an adverb, and the fray to its right suggests, in parallel to the fray on the far left, that perhaps there was another letter there, though the shadows of the doorbell casing do taper off quickly. Would it have said “longy,” which is not a word? Would some letter have completed this phrase? Did the writer belatedly deem the grammar an issue, seek to remove it, and only get this far? The visitor has much to ponder in advance of the gate being opened.

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Aspiring-to-Stately

An ongoing series cross-posted from instagram.com/dsqt

At some point — and judging by wear and tear, “some point” was a long time ago — one of two things happened. First: someone got a deal on these stately (or aspiring-to-stately) doorbells. Or second: that someone made a decision to add something perceived as classy to the front of this otherwise standard multi-unit building. These doorbell fixtures look less like a modular system, and more like individual devices intended for single residences. Perhaps there was a consideration in that regard. Perhaps the idea was to lend an aura of spacious suburban self-possession to the, in fact, close confines of urban apartment existence. There are at least three further stories to be tracked: What’s with that red paint at the bottom? Why is unit 3805’s button pristine in contrast with the three others. And why are the top two screws of the facade clean and bright, while the bottom two seem rusty and old? But those stories are overshadowed, so to speak, for to the right is a telling shadow: a dark, narrow, vertical gap provides stark evidence of just how close the next neighboring building is. The gap is a reminder that in a dense urban setting, even if you bring an illusory touch of the suburban to your own space, tight interpersonal proximity remains a fact of life.

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