New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

tag: streaming

SOUND RESEARCH LOG: Sub Pop and Other Micro Streams

One of my long-standing discontents with iTunes is the absence of a metadata field for record label. Small labels in particular are now looking at private membership and specialized streaming systems to emphasize their curatorial role, [the New York Times reports]( http://ift.tt/1ktZDFC ):

> Last month, Sub Pop Records, an independent label that introduced artists including Nirvana and the Shins, announced a partnership with Drip.fm, a subscription streaming and download service. Fans who sign up for the Sub Pop feed on Drip.fm will pay $10 a month in exchange for albums, singles and special exclusives from the label.

> [O]ther younger, digitally savvy musicians are starting their own services to appeal directly to their fans, like Nicolas Jaar’s Other People and Ryan Hemsworth’s Secret Songs.

This entry cross-posted from the Disquiet linkblog project sound.tumblr.com.

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SOUND RESEARCH LOG: Music Wars, Mobile Plan Divison

“Mobile and music united at once.” That’s how Rok Mobile, which launched today in VIP/invite-only mode, is describing its phone plan, which adds a “music” category to the core talk/text/data plans. According to gigaom.com‘s Kevin Fitchard, Rok is likely reselling plans on Sprint and/or T-Mobile. More at rokmobile.com.

This entry cross-posted from the Disquiet linkblog project sound.tumblr.com.

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SOUND RESEARCH LOG: Music Wars, Discovery Versus Inactive Listening

Over at venturebeat.com, Dwayne De Freitas weighs in on the purchase of Songza by Google. As De Freitas notes, the purchase comes at a time when “digital music sales volume is declining.” Songza, he argues, provides a “hassle”-free listening experience, with none of the effort required with other services. Ultimately, that’s arguably more about music as background listening than music “discovery,” which always seems to suggest more active listening.

“The key here is that when it comes to listening, users can set it and forget it. While services like Spotify and Rdio give users incredibly tailored experiences with access to hot indie tracks and an inexhaustible supply of songs to choose from, services like Beats and Songza are simpler — allowing the user access to the same or similar music with none of the set-up hassle associated with creating the playlist themselves. At the same time, users gain more control over what they’re listening to than they would with Pandora’s Music Genome algorithm.”

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SOUND RESEARCH LOG: Music Wars, Shock and Awe

Samsung has a music service. It’s called Milk. They brought in some heavy hitters — especially heavy in combination — to assert this, via venturebeat.com:

While the majority of people may be happy with the plethora of options available when it comes to streaming music, Samsung would like to remind you about its own service, Milk Music.

Case in point, Samsung is debuting a new TV commercial today to help promote Milk. And as you can see from the video embedded below, it contains a handful of popular music artists performing their songs, including Childish Gambino (a.k.a. Donald Glover) in his underwear, Chromeo, John Legend, Iggy Azalea, Cold War Kids, Lady Antebellum, and Little Dragon. The commercial itself probably cost a boatload of money to produce, as is customary for Samsung.

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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  • Upcoming
    December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
    December 28, 2021: This day marks the 10th anniversary of the Instagr/am/bient compilation.
    January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.

  • Recent
    July 28, 2021: This day marked the 500th consecutive weekly project in the Disquiet Junto music community.
    There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • Ongoing
    The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

  • disquiet junto

  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

    Recent Projects

  • 0511 / Freeze Tag / The Assignment: Consider freezing (and thawing) as a metaphor for music production.
    0510 / Cold Turkey / The Assignment: Record one last track with a piece of music equipment before passing it on.
    0509 / The Long Detail / The Assignment: Create a piece of music with moments from a preexisting track.
    0508 / Germane Shepard / The Assignment: Use the Shepard tone to create a piece of music.
    0507 / In DD's Key of C / The Assignment: Make music with 10 acoustic instrument samples all in a shared key.

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