Enjoy this 10-minute video about the work of the musician Amulets (aka Randall Taylor), who has dedicated much of his music to exploring the low-fidelity pleasures of tape loops. It starts with him buying a thrift store cassette player, which promptly begins to break in his hands. He plugs it in, nonetheless, at his workshop, using children’s bells as source audio for experimentation. “It’s not great, which is great,” he says of the resulting audio, pretty much summing up the aesthetic (frayed) and sensibility (shopworn) that has helped his releases find a receptive and supportive audience.
The mini-documentary, titled “Tape Wizard,” is by Killian Vidourek, a student from Notre Dame who flew to Portland, Oregon, to record it. It was produced in 2019, pre-pandemic, so we get to watch Taylor as he picks up some t-shirts, visits one of his LPs at a record store (Beacon Sound), and does soundcheck before a show.
Even though it’s over two and a half years since Apple introduced Siri and almost 50 years since Douglas Rain provided the voice for Hal in 2001: A Space Odyssey, we’re very much at the beginning of voice control. There are few if any norms or standards for voice commands activated by users, especially in contrast with the increasing uniformity of web design, where common elements are pervasive, such as endless scroll, small-print footers, and the three-lined “hamburger” button that signifies the presence of a menu. The norms in voice search will be accumulated in the coming years, not just thanks to decisions made by the big players, but by small initiatives, like the Tabs Board controller, a Chrome extension covered yesterday by addictivetips.com:
Voice search integration arrived in Chrome quite a while ago and it is an excellent watered down basic version of Google Now. One of the many differences between Google Now and Voice Search on Chrome is that Google Now can launch apps installed on your device while Voice Search is simply what its name implies it is with no support for any other browser function. Tabs Board is a Chrome extension that helps you switch between tabs open in a window. It also lets you search for tabs by a voice command which is what sets it apart from other tab management extensions. Both the voice search and the tab switching overlay can be opened with a keyboard shortcut that a user can customize. You can search for tabs with either a voice command or you can search and select them using the mouse. The extension lists open tabs in an overlay at the bottom of Chrome.
As with most voice commands, the product assumes that your microphone is always one. Get Tab Boards at the chrome.google.com.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
Upcoming • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com. • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.
Recent • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier). • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org). • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation. • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community. • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community. • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too. • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
Background Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.