February 13, 2014, is the official release date for my 33 1/3 book on Aphex Twin's 1994 album Selected Ambient Works Volume II, available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

Aphex Twin 33 1/3: March 20 Talk at City Lights

Several musicians will be joining me for this event.

20140114-citylights333

The first scheduled reading for my forthcoming book on Aphex Twin’s album Selected Ambient Works Volume II for the 33 1/3 series will be at the storied City Lights bookstore in San Francisco’s North Beach neighborhood. Several musicians will be joining me for this event. More details on them as the date nears. It’s scheduled for 7:00pm. on March 20, 2014. City Lights Bookstore is located at 261 Columbus Avenue. Here’s the description of the event from the citylights.com website:

Discussion / Concert exploring themes from Aphex Twin’s Selected Ambient Works Volume II

with Marc Weidenbaum & Friends

Marc Weidenbaum is the author of a new book on the British electronic musician Aphex Twin’s landmark 1994 album, Selected Ambient Works Volume II. The book was published this February, 2014, on the album’s 20th anniversary by the estimable 33 1/3 series. In addition to reading from the book and taking questions about his research and writing, Weidenbaum has invited several musicians to City Lights to perform explorations of themes — not melodies so much as ideas — from the Aphex Twin album.

Extravagantly opaque, willfully vaporous — Aphex Twin’s Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. Faithful to Brian Eno’s definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineer its fragile textures for performance on acoustic instruments. This book contends that despite a reputation for being beat-less, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes.

Marc Weidenbaum founded Disquiet.com, which is focused on the intersection of sound, art, and technology, in 1996. A former editor of Tower Records’ Pulse! magazine, he’s written for Nature, Boing Boing, and the website of The Atlantic. He’s commissioned compositions from such musicians as Scanner, Steve Roden, and Stephen Vitiello, and lectures on the role of sound in the media landscape. He lives in San Francisco.

The book is due out on February 13, 2014.

Photo by Steve Rhodes via Creative Commons and flickr.com.

By Marc Weidenbaum

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  • By CC talks with Marc Weidenbaum - Creative Commons on March 19, 2014 at 9:50 pm

    […] guest blog post was written by Niki Korth. If you’re in the Bay Area, come see Marc read from his new book at City Lights Thursday night and come hear Niki speak at next week’s CC […]

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