New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Tangents (Gibson, Scratch, HBO)

Quick Links: (1) Instructions (link) on how to download “any multimedia file from the web to your hard drive” (via … (2) A guitar-playing robot (link) and (3) a drum machine for the PlayStation Portable (link), both via … (4) Make your own microphones (link), via

… Good Reads: (1) The July issue of Wired focuses on remixing, and includes an essay by novelist William Gibson (“God’s Little Toys”) about the literary roots and metaphors of cut’n’paste culture. … (2) Also in the Wired remix issue, a piece on how the Avalanches pursue a remix (“Making of a Remix”). … (3) A review (link) in this past Friday’s New York Times of a synaesthesia-minded group-show exhibit in Manhattan’s Eyebeam gallery. More details at the gallery’s site (link). … (4) A review of an exhibit by MacArthur grant-winning sound artist Trimpin in the Seattle Post-Intelligencer (link). … (5) Robert Gable‘s fine “aworks” blog (, focused on “‘new’ American classical music,” celebrates its third anniversary (link). … (6) Not much of it is online, but Scratch may be my favorite new(ish) print music magazine. It posits itself as “the only hip-hop magazine that reps the beats.” And, indeed, reading Scratch, you’d think the producers, not the rappers who drop by the studio to lay a lyric on top, are the real stars, which is how it would be in a better world. Issue six features a Timbaland cover story, a piece by mix engineer Ken Lewis on how he assisted Kanye West to construct a bit of faux-’70s soul for West’s The College Dropout, and a short piece covering a New York University forum on the making of Public Enemy‘s It Takes a Nation of Millions to Hold Us Back (mentioning that Hank Shocklee, member of Public Enemy’s production team, the Bomb Squad, is writing a book on the album’s recording process). More info at (By the way, Lewis is a prolific in-studio blogger, over at

… Select New Releases: Due out this week are (1) Daniel Lanois‘s Belladonna (Anti), (2) psychedelic rockers Kinski‘s Alpine Static (Sub Pop), (3) Juan Maclean‘s robot-dance Less Than Human (DFA/Astralwerks) and (4) Adrian Belew‘s Side Two (Sanctuary), with Erick Cole on theremin, plus (5) Secede‘s Silent Flower Observers (Neo Ouija). And on DVD, (6) Bodysong with score by (and interview with) Radiohead‘s Johnny Greenwood.

… Disquiet Heavy Rotation: (1) It’s not due out until Tuesday, but Belladonna, by longtime Brian Eno collaborator Daniel Lanois, is already floating around. It’s a beautiful album of rural ambient music, not folktronica per se, but lilting instrumentals performed by a proper band. It’s a bit like Boxhead Ensemble, especially on the pedal-steel-dominated opening cut, “Two Worlds.” The song is barely two minutes long, but you may find yourself listening to it dozens of times before moving deeper into the album. Belladonna closes with a remote soundscape, “Todos Santos,” with loops that seem to go slowly out of sync. … (2) The next single off rapper Common‘s album Be is just like the first, simply piano’n’drums, courtesy of expert producer Kanye West. But where “The Food” featured an old acoustic piano (actually a sample of a Sam Cooke album), on “Go (Instrumental)” it’s an electric piano. And West, as always, isn’t happy to play the sample straight; instead every second of the electric piano is warped, as if on a wobbly turntable, accentuating the instrument’s inherently lush vibe. Judging by the credits on Be, those keyboards originated on Linda Lewis‘ pop-soul nugget “Old Smokey,” off her 1972 album Lark. … (3) The cuts are pretty short and terse on Japanese avant-turntablist Turntabrush‘s View of Rainbow CD. The medium distinction is important, because the CD, LP and cassette (yes, tape cassette, remember them?) of View of Rainbow are all different. Anyhow, the cuts run generally in the one- and two-minute range, but there are a few pushing the five-minute mark, and they can be listened to as songs unto themselves, instead of as abstract tiles in Turntabrush’s set-on-random mosaic. … (4) Of the Downstream entries for the past two weeks, the one in heaviest rotation has been “Atomsk” (MP3), the scratchy little sonic world perpetrated by Octopus Inc. and Le Gun, of the collective. More details in the Downstream entry (link).

… Score-Keeper: (1) The artist known as BT has scored Stealth, the fighter-pilot thrill ride due out at the end of the month. The Hollywood Reporter has an interview with him (link), in which he talks about writing “algorithmic music to code” for Stealth, which happens to feature an artificial-intelligence antagonist. … (2) The same Hollywood Reporter piece also interviews Tyler Bates on his score to Rob Zombie‘s forthcoming The Devil’s Rejects: “Many sound sources were mutated into ambient textures and percussive loops through various forms of synthesis, and, in turn, generated disjointed rhythms and conflicting harmonics. … In other words, it sounds like tennis shoes in the dryer.” … (3) Philip Glass is attached to Vic Sarin‘s Partition and Emmanuel Carrere‘s La Moustache, via

… Quote of the Week: “Claire, hey, it’s, uh, it’s me. Are … are you still at Amoeba, because if you are, I really need to hear some Brian Eno today or I’m going to tear my eyes out.” That’s a voicemail on Claire’s phone, left by Billy during the June 27 episode of Six Feet Under, “Time Flies.” (Her response, in part: “Please, get a life for a minute.”) While she’s checking her messages, the band Alva Star’s mope-rocky “Cold Calculated” plays in the background.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly ( at Gray Area (
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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  • 0544 / Feedback Loop / The Assignment: Share music-in-progress for input from others.
    0543 / Technique Check / The Assignment: Share a tip from your method toolbox.
    0542 / 2600 Club / The Assignment: Make some phreaking music.
    0541 / 10BPM Techno / The Assignment: Make some snail-paced beats.
    0540 / 5ive 4our / The Assignment: Take back 5/4 for Jedi time masters Dave Brubeck and Paul Desmond.

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