New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Tangents (AudioFiles, Bumbershoot, Moog)

Quick Links and News: (1) The University of South Florida Contemporary Art Museum will exhibit AudioFiles, with work by Celeste Boursier-Mougenot, Christian Marclay and Stephen Vitiello from September 9 through October 21 ( … (2) A woodpecker has been tentatively removed from the extinction list, thanks to analysis of field recordings taken in Arkansas (link, via … (3) An overview of music-related activities at this year’s Burning Man, which starts tomorrow and runs through September 5 (via; (4) also via, using a railroad controller as a music interface. … (5) Experimental interface that recognizes sound waves inherent in specific objects (intriguing but not entirely clear, via, Module Records). … (6) Jon Brion (Punch-Drunk Love) is still attached to score Paul Thomas Anderson‘s adaptation of Upton Sinclair‘s novel Oil!, but the film is now listed on as There Will Be Blood. … (7) A movie reviewer in the Framingham Tab (from Framingham, Massachusetts) used the phrase “visual music” to describe Wong Kar Wai‘s newest film, 2046 (link). … (8) Six days after he passed away, still no search return for composer Luc Ferrari, an early proponent of musique concrete, at

… Good Reads: (1) A Seattle Times overview of the sound art at this year’s Bumbershoot Festival in Seattle (link); among the participants are composers Janice Giteck, Marina Rosenfeld, Steve Roden, Stephen Vitiello and others. The festival runs from September 2 through 5 ( … (2) This is about a month old, but there’s a solid interview with sludge-metal king Dylan Carlson of the band Earth in the Seattle Weekly, noting a recent remix album with contributions from Jim O’Rourke, Justin Broadrick, Autechre and others (link). … (3) From August 25, the New York Times on a massive performance work, titled Patria, by sound ecologist and composer R. Murray Schafer (link). … (4) Also from the New York Times, a review of a performance of Terry Riley‘s In C that opted to drop the trademark “repeating C”: “That decision, though it made the piece sound slightly naked at first, allowed for an extra measure of fluidity in this already free-flowing score” (link).

… Select New Releases: (1) Library TapesAlone in the Bright Lights of a Shattered Life (Resonant) uses the piano as a starting off point for moody instrumental experimentation. … (2) DMX Krew‘s Wave arrives on Aphex Twin’s label (Rephlex). … (3) Rapper-producer Kanye West enlisted Jon Brion‘s assistance on Late Registration (Def Jam); expect plenty of instrumental 12″s. … (4) One-time rave regular BT scored Stealth (Varese Sarabande). … Also, (5) noise-meister DJ Scotch Egg‘s KFC Core (ADAADAT), (6) Sovacusa‘s Centrepoint (Expanding) and (7) Arvo Part‘s Lamentate (ECM) with the Hilliard Ensemble, Andrey Boreyko conducting SWR Radio-sinfonieorchester Stuttgart, and pianist Alexei Lubimov.

… Disquiet Heavy Rotation: (1) I’ve spent much of the past week trolling for audio in the growing repository of the Freesound project,, though as of this writing the web link seems to be dead. … (2) The CD that accompanies Katharine Norman‘s self-admittedly “quirky” book about sound as art, Sounding Art (Ashgate), includes tracks by Terre Thaemlitz, Paul Lansky, Francisco Lopez, Francis Dhomont and Norman herself, among others.

… Quote of the Week: Robert Moog, quoted posthumously in the Los Angeles Times (link), speaking of his namesake invention: “One of the many things you could do was imitate vocal sounds — make it go ‘Weeoooooww.’ That really upset [people]. The reaction was a bit like that of primitive cultures believing cameras could catch your soul.”

PS: This post initially had an account of the passing of film composer Elmer Bernstein, which apparently happened a year ago. Sorry for my error.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

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    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly ( at Gray Area (
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    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
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    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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    0560 / Sonic Disambiguation / The Assignment: Help the Wikimedia Foundation develop a sonic logo.
    0559 / Yes Exit / The Assignment: Compose your personal entrance and exit cues for conference calls.
    0558 / Chore Progressions / The Assignment: Use a routine activity as the map of a composition.
    0557 / Condensation Is a Form of Change / The Assignment: Interpret a graphic score that depicts four phases.

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