New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Tangents (minimalism, youtube, Superman)

Quick Links, News and Good Reads: (1) Steve Reich‘s “Music for 18 Musicians” has been posted for free download by the BBC as part of (yeah, you guessed it) a remix contest. The winning track, to be selected by Reich, will appear on a Nonesuch release, along with remixes by Four Tet and Alex Smoke. Unfortunately, as with the 1999 Reich Remixed album, the individual parallel tracks of the “18 Musicians” recording have not been made available to the remixers; only the final mix has, as a single file (MP3). More info at (via Robert Gable‘s aworks blog). … (2) Roundup of a new generation of young British artists, many with an interest in sound, including Jem Finer, Matthew Bourne, Vicki Bennett, Dreams of Tall Buildings, Claudia Molitor, Alex Bradley and Charles Poulet ( … (3) Trimpin‘s large-scale sound art tribute to Pythagoras is at Suyama Space in Seattle, Washington, through July 28 ( … (4) Review of Lucas Fowler‘s art film about composer Cornelius Cardew ( … Synaesthesia is the theme in an exhibit of Wassily Kandinksy paintings at the Tate Modern: (5), (6) … (7) The Sound Travels series of events is running in Toronto through October 1 (, and it will include “guerilla sound art” events that “that draw attention to the contemporary urban soundscape.” … (8) Interview with Hefty Records founder John Hughes III ( “We kind of live by file transferring over chat programs or uploading a file to an FTP and kind of swapping it back and forth until it’s finished.” … (9) Interview with Amanda Stewart as part of the annual Liquid Architecture festival in Australia ( “When you are cutting up voices all day,” she says of her time as a radio producer with ABC, “you hear different things.” More info at (10) and (11) … (12) Interview with Janet Cardiff on her audio walk at the Hirshhorn in Washington, DC ( “Sound has an innate ability to transport you out of your body, so if you give an audience various soundscapes, you can transport them through their imagination into many different places.” … (13) Cardiff and George Bures Miller‘s installation The Paradise Institute is part of And Therefore I Am at Skidmore’s Tang ( … (14) Squarepusher‘s next album, Hello Everything, is due out on October 16; a track off it, “The Modern Bass Guitar,” is currently streaming from the home page of Warp Records, … (15) Alex Ross on Morton Feldman at, plus a follow-up at Ross’ blog, (16) … (17) Radiohead‘s Thom Yorke talks about his new, electronic-infused solo album ( … R.I.P., Gyorgy Ligeti: (18), (19), (20), (21)

… YouTube Treats: There’s an absurd wealth of video available at These are just a handful of suggested viewings, most under three minutes. (1) A minute and a half surreptitiously taped at Janet Cardiff‘s 40-Part Motet exhibit at the Museum of Modern Art in Manhattan ( … (2) Brian Eno pays tribute to Can ( and (3) talks about the making of Music for Airports ( … (4) Robert Fripp performs a soundscape live in Japan in 2003 ( … (5) Fan of Cliff Martinez for his ambient scores to Solaris and sex, lies and videotape? Check out this footage of when he was the drummer for the punk-funk band Red Hot Chili Peppers ( … (6) Video for David Holmes‘ “Don’t Die Just Yet” off Let’s Get Killed ( … Lots of live DJ Krush: (7) dark with skateboard clips (, (8) at the Sonar festival ( and (9) rockin’ some “Tubular Bells” in Tokyo ( … (10) And via Google’s similar video service, footage ( of that drum game for the Nintendo Wii that I mentioned in my E3 overview (“Synaesthesia at E3”; footage link via … Oh, and there are also at least four versions of John Cage‘s “silent” piece, 4’33”, on (11) and (12) three (one of them “abridged”) at

… Quote of the Week: “Gentle theme begins.” That’s the text description you’ll see of a scene’s background music toward the end of the new movie Superman Returns if you use the Rear-Window Captioning system (or equivalent). I noticed this because the fellow in front of me at a screening this weekend was using the system, which involves a wide mirror that reflects text that’s displayed at the rear of the theater. When music is playing and there’s no voice over, the screen would occasionally display a pair of quarter notes.

By Marc Weidenbaum

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  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    December 13, 2021: This day marks the 25th anniversary of the founding of
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    July 28, 2021: This day marked the 500th consecutive weekly project in the Disquiet Junto music community.
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    The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm:

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    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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    0508 / Germane Shepard / The Assignment: Use the Shepard tone to create a piece of music.
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