New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Live Scanner (& Co.) MP3s

Last month, Scanner (aka Robin Rimbaud) pointed from his website, scannerdot.com, to a live set available for free download. His performance is, in fact, one of seven by different artists packed into a massive (nearly 100-megabyte) collection recorded as part of the Störung Festival 2.0, held in May of this year (download). The festival’s website, storung.com, also includes related video streams.

As an artist and musician, Scanner has many modes: dance DJ, storyteller, installation artist, drone-fetishist, remixer. The style of this performance might best be described as tour guide. It opens with familiar Scanner elements: introspective voices and filmic background synthesis, but soon a beat sets in, and that won’t be the last of the transformations before its 15 minutes have concluded, though it does settle into an extended period of tribal drumming.

As for the other pieces (each of which opens with the exact same digital-effluvia call signal, and each of which lasts for a quarter of an hour), Daniel Cortese and Stefabo Zati’s dives headlong into vibrant field recordings, which are then fuzted with in a variety of ways, digitally, before reverting to what seems to be “natural” analog sound.

Elufo uses scintillates that twinkle with the quiet assuredness of distant satellites; brief moments allow thuddy percussion to intrude, before the whole thing quite suddenly escalates at the end to wildly fluctuating white noise.

The highlight of Asférico’s minimal techno piece is a woodblock beat that serves as a lead “voice.” La Jovenc‘s sounds at times like a deeply sublimated remix of a Satie piano recording. Nigul‘s begins with horror-flick-ready atmospheres before moving to what are better termed atmospherics, disturbing aural set pieces of steam pipes and foreboding percussion. And Pygar‘s sounds like the score to a holiday in Second Life: an extended sequence of synthesized breezes gives way to excellent, glitch-seasoned, club-ready dub.

One note: the file is saved as an RAR archive, a Zip-style compression format that not every computer operating system readily unpacks. I believe that Apples are preset to open RARs, but for users of Windows (my primary operating system, though I do have an eye on that new EEE line of Linux-powered machines) I recommend the freeware ZipGenius zipgenius.it). Alternate software recommendations are always appreciated.

By Marc Weidenbaum

Tags: , , / Leave a comment ]

Post a Comment

Your email is never published nor shared. Required fields are marked *

You may use these HTML tags and attributes <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

*
*

Subscribe without commenting

  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

  • Field Notes

    News, essays, surveillance

  • Interviews

    Conversations with musicians/artists/coders

  • Studio Journal

    Video, audio, patch notes

  • Projects

    Select collaborations and commissions

  • Subscribe



  • Current Activities

  • Upcoming
    December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
    December 28, 2021: This day marks the 10th anniversary of the Instagr/am/bient compilation.
    January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.

  • Recent
    July 28, 2021: This day marked the 500th consecutive weekly project in the Disquiet Junto music community.
    There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • Ongoing
    The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

  • disquiet junto

  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

    Recent Projects

  • 0511 / Freeze Tag / The Assignment: Consider freezing (and thawing) as a metaphor for music production.
    0510 / Cold Turkey / The Assignment: Record one last track with a piece of music equipment before passing it on.
    0509 / The Long Detail / The Assignment: Create a piece of music with moments from a preexisting track.
    0508 / Germane Shepard / The Assignment: Use the Shepard tone to create a piece of music.
    0507 / In DD's Key of C / The Assignment: Make music with 10 acoustic instrument samples all in a shared key.

    Full Index
    And there is a complete list of past projects, 511 consecutive weeks to date.

  • Archives

    By month and by topic

  • [email protected]

    [email protected]

  • Downstream

    Recommended listening each weekday

  • Recent Posts