Interviews Up: Charest, Kermani, Sideboard, Krush, Artemiev

I’ve uploaded five more of the backdated interviews, from 2002 through 2003: Canadian composer Benoît Charest, on his score for the film Les Triplettes de Belleville; composer Elise Kermani, on revisiting “retro” multimedia performance and remixing Vivaldi; London-based Thorsten Sideboard, online-music mogul; Japan’s premiere turntablist, DJ Krush, on his seventh full-length album, The Message at the Depth; and Moscow-based composer Artemiy Artemiev, head of Electroshock Records and son of Edward Artemiev, best known in the West for his groundbreaking soundtracks to films directed by Andrei Tarkovsky, including Solaris.

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