How musician Christof Migone describes his conceptually driven, often microsonic music:
“A hardcore of the infinitesimal”
From an anecdote in a report by Carl Wilson on the belated reception of Mignone’s 2004 album Escape Songs, a collaboration with Veda Hille, in the Globe and Mail (theglobeandmail.com). More on Migone at christofmigone.com, and on Hille at vedahille.com.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• I pondered the word "orchestral" in my liner notes for the excellent new album Uprooted from Rotterdam-based Michel Banabila, released April 9, 2019.
• I had the great pleasure of being interviewed by Darwin Grosse for his excellent, longrunning podcast, Art + Music + Technology, and the episode went live on April 7, 2019: artmusictech.libsyn.com.
• I gave the opening talk on March 22, 2019, at the inaugural Algorithmic Art Assembly in San Francisco. I'll post a summary here soon, but for the time being, there's a great overview of the event at the website of cycling74.com, written by Tom Hall.
• I was on Vivian Host's Peak Time show (on Red Bull Radio) on March 11 to extol the timeless virtues of Aphex Twin's Selected Ambient Works Volume II, and related works. You can listen to a recording here: redbullradio.com.
• June 23, 2019: There's a Disquiet Junto concert this Sunday at 8pm at Cabaret Berlin in Montréal, Quebec.
• December 13, 2019: This day marks the 23rd anniversary of Disquiet.com.
• January 7, 2020: This day marks the 8th anniversary of the Disquiet Junto.
• March 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0389 / Long Then / The Assignment: Take an old song, and make it (much) slower, and add something.
• 0388 / Random Less / The Assignment: Make a single piece of music with very few tools, all selected at random.
• 0387 / Everything & More / The Assignment: Make a single piece of music using every single instrument that you have at your disposal.
• 0386 / New Colors / The Assignment: Out with the old white noise, in with the new.
• 0385 / Audubonus Instrumentum / The Assignment: Imagine a fake instrument, and make music with it.