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Keith Fullerton Whitman Live at Root Strata’s On Land Festival (AIFF)

Back in September, the first On Land festival brought a wide range of quiet-minded electronicists and other music-makers to San Francisco. I caught the first of the three concerts, which were conceived by the Root Strata record label, but unfortunately for me not the one featuring a solo performance by Boston-based musician Keith Fullerton Whitman. Of course, missed concert opportunities aren’t what they once were. Chances are, someone recorded what you didn’t witness — sometimes even the musicians themselves. And fortunately in this case, Whitman has just uploaded a high-quality recording of the nearly 20-minute set to his space:

(Audio isn’t the only thing the web can be expected to capture for posterity. The above photo of Whitman performing this piece appears courtesy of

Fullerton has had lengthy, relatively uncompressed files on SoundCloud in the past, but with the exception of this piece — title: “Live Generator (1) @ On Land” — they’ve all been removed. So, interested parties are advised to take advantage of the little down arrow on the right-hand side of the above interface, and download the 184mb file. (Anyone with audiophilic tendencies take note: the above interface is not streaming the 184mb version of the recording. It’s streaming an MP3 compressed to less than 1/10th that size. For the full-on, you-were-kinda-there listening experience, be sure to get the full 184mb version.)

The 20 minutes feature Whitman in a playful mode. Childlike melodic snippets bounce back and forth in the stereo spectrum, while a rising drone provides a kind of sonic trampoline on which they can have their fun. The fast pace of the melody brings to mind sci-fi soundtracks and early electronic head music more than it does video-games, at least initially, though among the technology employed, according to Whitman, was an emulation of an early game system. He writes:

    “… here’s a great recording of my set at the Root Strata ‘On Land’ festival ; this was my first attempt at performing the ‘Generator’ piece in front of people …. the instrumentation is simply two doepfer suitcases full of assorted eurorack modules, an outboard spring reverb, and (at the end) an iphone running a commodore 64 emulator …”

As the performance goes on, that rapid pixel pop gets more and more mangled, until it becomes distorted beyond recognition. In the process, Fullerton explores not only the melody as a kind of barrage, a pattern to set against itself, but also the individual tones, which at times get stretched out to many times their initial length until they threaten to scatter, revealing a whole new set of patterning.

Here, by the way, is my write-up of the first of the three On Land shows, on the afternoon of Saturday, September 19, featuring Danny Paul Grody, Marielle V. Jakobsons (aka darwinsbitch), and William Fowler Collins, among others:

By Marc Weidenbaum

Tags: , / Comments: 3 ]


  1. Robert Gable
    [ Posted November 16, 2009, at 7:06 pm ]

    Great find. However, I can’t get the download to work. On your site, the download button is grayed out. If I go directly to SoundCloud, I only see a comment button. Yet, the stats for the track indicate it has been downloaded.

    I really like the idea of the player’s time-based commenting, by the way.

  2. Marc Weidenbaum
    [ Posted November 16, 2009, at 7:42 pm ]

    Yeah, I was excited to see this pop up on SoundCloud. It looks like the download option was turned off subsequent to the material initially being posted, which is unfortunate.

    SoundCloud’s time-based comment system is excellent. I imagine a new realm of microblogging, in which we comment not on songs but on slivers of songs. (Man, the first six seconds of the sixth minute of the third track on the most recent release on that great — new, naturally — Angolan netlabel is the best thing I’ve heard since breakfast.) Seriously, though, it is a promising new way for people to annotate/praise/critique music. I wonder if those time-based tags will ever be able to serve as trigger points or cues in mixes or playlists.

  3. Mark Rushton
    [ Posted November 17, 2009, at 8:36 am ]

    Too bad KFW switched off downloading. I’ll stream later in the broadband comfort of home. Love the Soundcloud, esp additionals like Tracks On A Map:

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  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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