- Outside in the Richmond District, a gorgeous symphony for foghorns and birdsong. #
- I think I need a self-imposed simile embargo. #
- The music section of the @make website is like some ongoing, geographically distributed electronica Manhattan project: http://is.gd/cDG50 #
- Enjoying new version of "open-source iTunes" program by @songbirdteam — major improvement: no longer see the Edge every time it turns on. #
- Morning sounds: no alarm clock, but two airplanes in quick succession, chugging overhead like tug boats in the sky. #
- Drizzly morning: Falun Gong under the Bill Graham eves, tinny radio echoing like a Lilliputian / Horton Hears a Who-ian orchetra. #
- Between ebooks and flat-screen TVs, living rooms look more and more like they did in FranÃ§ois Truffaut's film version of Fahrenheit 451. #
- RIP, Tobias Wong (b. 1974), meta/para/trans-designer. Someone I would have like to have spoken with. #
- Time-lapse video of the installation @sjmusart of Mark Hansen & Ben Rubin's The Listening Post: http://is.gd/cB3hT #
- Current office noises: tea-kettle copier, white-noise fans, mouse clicking, distant automobiles, one slow-moving plane. #
- When the MUNI bus passes the house at midnight, it sounds empty. #
- The surveillance sign near the giant Zhang Huan sculpture in San Francisco at city hall seems like an addition courtesy of Ai Weiwei / @aiww #
- Five of us are discussing the new Oval (aka Markus Popp) album, Oh, this week here: http://is.gd/cyeHa His first such effort in a decade. #
- Morning sounds: hard drives, virtually no cars. Is it simply early, or is the Memorial Day holiday quiet extending further into the week? #
- Buying music online after hours on a national holiday. Such a pleasure. #
- From Grandpapier's 24hr-comic session Pascal Matthey on hearing loss, sound, airplanes: http://bit.ly/9qiltE via @madinkbeard @mmaddencomics #
- Which is more annoying: Nigerian Craigslist frauds? Publicists who don't identify musical characteristics of acts/records they're pitching? #
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0473 / Placebo Effect (2 or 3) / The Assignment: The Assignment: Record the second third of a trio that others will complete.
• 0472 / Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete.
• 0471 / Phase Transition / The Assignment: The Assignment: Record the sound of ice in a glass and make something with it.
• 0470 / Calendar View / The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments.
• 0469 / [Missing in Caption] / The Assignment: Make music that pushes the constraints of descriptive television captions.
And there is a complete list of past projects, 473 consecutive weeks to date.
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