- Why do voices on art podcasts so often sound like they're emanating from a bunker? Perhaps its wishful thinking on my part. #
- There's a special quality to the group sigh at the end of the credits to a movie like Predators when there's no extra surprise clip. #
- So addicted to Uni-Ball Signo Bit .18 gel pens that the .25 feel downright muddy, inky, thick, garish. #
- Amazing the number of (visual) art galleries on @twitter & @facebook but not on @flickr #
- Man, the Autechre / Move of Ten album discussion is going great — 20 posts and counting, lovers and dissenters: http://is.gd/digqG #
- Second iPad sighting on the bus. Screen's filthy, like a car windshield after a summer drive across Texas. #
- A bunch of us are discussing the new Autechre EP, titled Move of Ten, at http://is.gd/digqG — feel free to join in. #
- 16: Number of minutes between @downloadsquad announcement of Firefox 4 (beta) & site's 1st F4-hack tutorial (removing "big orange button"). #
- 3 of my 4 fave Tbird extensions don't work in 3.1: CompactMenu 2 (3.1), MaximizeMessagePane (1.1), QuickText (0.9). Just ArchiveThis (1.4). #
- At certain volumes (very loud, very quiet), all hip-hop is instrumental hip-hop. Right now experiencing the latter via @pandora_radio #
- World out of sync today: iTunes (forgot I have it on manual), LiveSync (one filename was too long), Google Contacts (no idea). #
- That Feelies/Cure-ish new Battles song is only on the extendo version of the Twilight: Eclipse soundtrack. #
- July 4 fireworks are like popcorn: the longer the the gap gets between them, the sooner it's done. #
- Web 2.0 will have fulfilled its promise when we can easily cross-reference models of vacuum cleaners & isolating earbuds. #
- Man, poor Chicago. Just a few days after Aaron Dodd passed: RIP, free-jazz saxophonist Fred Anderson (b. 1929) http://is.gd/dff6H #
- OK, once during Red, as Molina/Rothko stared at a painting with his back to the audience, I did wonder if Doc Ock's mecha-arms would appear. #
- Enabled @wordpress "threaded comments" on Disquiet.com; conversations clearer now. Not clear how to let some users comment w/o moderation. #
- Sunday morning = John Fahey, Lovesliescrushing, Ava Mendoza. #
- I Am Love: Melodrama! Field-recording sound design! John Adams score! Tilda Swinton! Flashbacks! Daydreams! Yow. See this on a big screen. #
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0455 / Inner Invertebrate / The Assignment: What does a moment (or a day) in the life of a jellyfish sound like to a jellyfish?
• 0454 / Lsoo Vneg / The Assignment: Encode the name of someone you love into a piece of music.
• 0453 / Dial Up / The Assignment: Imagine the technologically mediated First Contact through sound.
• 0452 / Let's Scream / The Assignment: Get cathartic. Be resilient. Turn your scream into music.
• 0451 / Ursula's Silences / Make music inspired by a line from A Wizard of Earthsea.
And there is a complete list of past projects, 455 consecutive weeks to date.
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