New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Chicago Hip-Hop Built from Paul Simon Sample

Joshua Wentz digs his way out of the crates.

“My landlord gave me a stack of records that a tenant had left in a vacated apartment,” writes Joshua Wentz by way of introduction. “Most of them are really scratched, but a few are not too scratched.” The following track, “Piano Slum,” is one of the pieces that resulted when Wentz dug into the vinyl and came up with a variety of instrumental hip-hop excursions. This particular example is built on a small loop of a familiar Paul Simon song. Even as he cuts it and moves parts around, even as he creates a new melody from old, culturally entrenched note formations, he retains the original organ’s loose, analog wavering. As he describes his modus operandi, “I figured these albums would be a good way to scratch a musical itch: create some instrumental hip hop tracks with these albums as the foundation.”

Track originally posted for free download at soundcloud.com/joshuawentz. More on Wentz, who’s based in Chicago, Illinois, at joshuawentz.com. Another Wentz track, in which he played along with a passing train, was featured here last month.

By Marc Weidenbaum

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