Disquiet Junto Project 0045: Sherlock Sawyer

The Assignment: Combine material from the public domain adventures of Sherlock Holmes and Tom Sawyer.

Each Thursday at the Disquiet Junto group on Soundcloud.com a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate.

This is a set of the tracks created in this project:

The assignment was made in the afternoon, California time, on Thursday, November 8, with 11:59pm on the following Monday, November 12, as the deadline. (There are no translations this week.)

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto).

Disquiet Junto Project 0045: Sherlock Sawyer

This is a shared-sample project. It focuses on the human voice, on sonic narrative, and on the public domain. The project has two parts:

First, select one sentence from two different pre-existing spoken sources and combine them in any manner you wish into one sentence, using the entirety of both sentences.

Second, add an underlying sonic bed — a musical score — to lend dramatic tension to the newly created sentence.

You will select your sentences from the following public domain sources: chapter one of The Adventures of Sherlock Holmes and chapter one of The Adventures of Tom Sawyer. You will excerpt the audio from these recordings:

http://archive.org/details/adventures_holmes

http://archive.org/details/tom_sawyer_librivox

Deadline: Monday, November 12, at 11:59pm wherever you are.

Length: Your finished work should be between 1 and 4 minutes in length.

Information: Please, when posting your track on SoundCloud, include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0045-sherlocksawyer”in the title of your track, and as a tag for your track.

Linking: When posting the track, be sure to include this information:

The source audio for this project is the public domain LibriVox recordings of Arthur Conan Doyle’s The Adventures of Sherlock Holmes and Mark Twain’s The Adventures of Tom Sawyer.

More on this 45th Disquiet Junto project at:

Disquiet Junto Project 0045: Sherlock Sawyer

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/info/

The Sound of Materials

Panel presentation recorded at the Tate

The Tate Museum’s podcast series is at times peculiarly bereft of visuals. The numerous and frequent freely downloadable MP3s document a wealth of panels and presentations, but as often as not the individuals speaking are referring to images the listener won’t see. This can even be an issue in panels about acoustics, such as the 2007 Sound of Materials event, which recently popped up in the Tate’s RSS feed (MP3). All of which said, don’t miss this lengthy survey of how sound works, how materials influence the qualities and distribution of sound, and the manner in which materials inform the development of musical instruments.

[audio:http://static.tate.org.uk/1/onlineevents/podcast/mp3/2007_04_13SoundOfMaterials.mp3|titles=”Sound of Materials”|artists=Tate Modern]

The description of the panel, from the Tate’s website:

Material Scientist Dr Mark Miodownik, acoustican Professor Trevor Cox and artists Zoe Laughlin and Martin Conreen will be performing demonstrations and discussing the art and science of the sound of materials. They will consider why buildings sound the way they do, why musical instruments are made from particular materials and what sound reveals that light does not.

Track originally posted for free download at tate.org.uk. More from Miodownik at markmiodownik.net, Cox at sonicwonders.org, Laughlin at asifitwerereal.org, and Conreen at twitter.com/martinconreen.

Score to a Quotidian Experience

A new hour-long work by Collin Thomas

When the track reaches 22 and a half minutes, there is a brief piano figure, very brief, just a few notes. These few notes trace a downward arc. There’s a pause afterward. It’s long enough to make the listener wonder if the sound of piano was overheard from somewhere else, somewhere apart from the recording, somewhere unrelated to the underlying sound that had preceded it — perhaps through a wall, or an open window, maybe emanating from the listener’s own memory. But repeat it does, and then again, and then there’s a modulation at some stage of this repetition of the piano, enough to a suggest formal compositional approach and not merely sound for its own sake, which has been the effect up until now. Up until now it has been a low-level drone. The piece shifts as time passes, it grows. The piano is exchanged for a deeper, orchestral swell. This is “Score to a Quotidian Experience” by Collin Thomas. It’s an hour-long piece recently released on the always excellent restingbell.net The description here can come across as breathless, because the unanticipated developments, ones that both challenge and reinforce the concept of ambient music (challenge by veering from stasis, reinforce by providing a non-invasive framing structure), are so promising and enjoyable. The track is anything but breathless — it’s slow, subdued. It’s sonic breath.

[audio:http://ia701208.us.archive.org/3/items/rb113/01-Score_to_a_Quotidian_Experience.mp3|titles=”Score for a Quotidian Experience”|artists=Collin Thomas]

Track originally posted for free download at restingbell.net. More on Collin Thomas at collinthomas.net.

Enough!!! Trio’s World Premiere Performance (MP3)

Carl Michael von Hausswolff, Jason Lescalleet, and Joachim Nordwall recorded live in December 2011

There are many ways in which abstract electronic music is more inherently familiar than songs are, key among them the ways in which abstract sounds mimic — or at least appear to mimic — the real world. It is far more simple to draw comparisons between the whir of cicadas and that of certain rudimentary synthesis techniques, for example, than to find something remotely like verse/chorus/verse, let along /bride, in the natural world. Nonetheless, abstract electronic music is widely perceived as alien.

The sounds in the world premiere, one year ago, of the trio Enough!!! contain numerous noises that should be more than familiar — static like rain, throbbing drone like blood in the ear, crunches like feet in snow — and not just from the natural world. There is the whine of low-level electrical activity, the echo of long corridors, the rotations of hovering helicopters. The combined effect is what’s alien, a level of drama and intensity far beyond, one would certainly hope, a listener’s personal experience. Enough!!! is CM von Hausswolff, Jason Lescalleet, and Joachim Nordwall, working together in perfect dissonance (MP3). The recording was made at Issue Project Room in Brooklyn, New York, on December 20, 2011.

[audio:http://www.touchshop.org/touchradio/Radio85.mp3|titles=”Live at Issue Project Room”|artists=Enough!!!]

Performance originally posted for free download at touchradio.org.uk. More on the event at issueprojectroom.org.

When Sandy Met Fugazi

Tidal waves – of pageviews

When you write a website about music that, in terms of commercial units, often sells in the low three figures, there are better things you might do with your time than look at pageviews. Still, sometimes above-average occurrences are worth a look at. This is the chart of pageviews of this site in the past 30 days. Clearly, it is consistent with the exception of two instances:

The peak labeled “Sandy” correlates with appearance on this site of a post collecting, the morning after superstorm Sandy hit the East Coast, various field recordings of the rain and wind (“What Sandy Sounded Like”). The peak labeled “Fugazi” correlates with the appearance of a post about an album constructed entirely of samples of instrumental parts of Fugazi songs (“Sieve-Fisted Compositions”).

There are numerous reasons why this isn’t an apples-to-apples comparison: nature versus songs, bad news versus good news, prominent Twitter activity versus Boing Boing coverage (thank you, Xeni!) yielding even more Twitter activity. I just post it here for reference.