New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Stems: Listening to Carruth, Mansell, and The New Republic

Plus: Matmos' toolset, sound design tips, the culture of rhythm, Sherlock's scanner ...

¶ Primer Directive: The complete score of Shane Carruth’s film Upstream Color is streaming for free, 15 tracks in total. Extended stretches of the film are devoid of dialog, and the natural sound and music, along with the visuals, are left to do the storytelling. As Jascha Hoffman tweeted shortly after seeing the film at its Sundance debut, “Shane Carruth’s Upstream Color : plot // William Basinski’s tape loops : song form.”

¶ Stoked About Stoker: “At the beginning of Stoker, India Stoker (Mia Wasikowska) tells us she can hear things more clearly than most people, a talent that is quickly apparent seeing as every noise and sound in India’s life is amplified.” That’s from the opening of Allison Loring’s appreciation of the sound design and score of the new Park Chan-Wook film, with music by Clint Mansell as well as a song from Emily Wells and a new piano piece by Philip Glass — at filmschoolrejects.com.

¶ URL Earmarks: This is pretty intriguing. The recent redesign of the website of The New Republic (newrepublic.com) includes a button that will read out loud the text on the page. Like buttons for Twitter and Facebook, for email and “save to PDF,” this is almost certainly going to be a UI/UX norm. So far, however, per this screenshot, it seems largely to be “coming soon”:

201302-newrepub

¶ In Brief: “Lost within the act of listening, I give attention to that which is often ignored: the high-pitched silence of a winter day; the whir of a movie projector displaying a silent film; the cavernous echo inside a museum. ” That’s from the latest post at the blog Phonomnesis, by John Kannenberg, sound artist and founder of the Stasisfield netlabel. ¶ Ethan Hein has posted a six-slide presentation about the extent to which rhythm is a cultural construct. That he is a new father is clearly an impetus for his exploration: slideshare.net. ¶ “Too loud? Sorry. I went downstairs to get some cereal. Didn’t want to miss anything. The city has excellent scanner apps but, um, there’s nothing like the tactility of the original devices, all those dials and buttons.” That’s Sherlock Holmes, as played by Jonny Lee Miller, in episode six (“Flight Risk”) of the first season of Elementary. The scene is on youtube.com:

20130224-sholmeselementary

¶ Many thanks to Peggy Nelson of hilobrow.com for having highlighted the Disquiet Junto’s end-of-2012 audio journal project. ¶ A tour of Matmos’ studio at xlr8r.com. ¶ List (at indiewire.com) of tips from top-rank sound designers has broad applications. Among the tips: “Decide if sound or music should do the heavy lifting in every scene” and “Too many sonic elements can be confusing.”

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
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    July 28, 2021: This day marked the 500th consecutive weekly project in the Disquiet Junto music community.
    There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
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    The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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    0509 / The Long Detail / The Assignment: Create a piece of music with moments from a preexisting track.
    0508 / Germane Shepard / The Assignment: Use the Shepard tone to create a piece of music.
    0507 / In DD's Key of C / The Assignment: Make music with 10 acoustic instrument samples all in a shared key.

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