New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Why There’s a @djunto Twitter Account

To encourage communication among participants

I don’t generally post from my @djunto Twitter account. I post from my @disquiet account. I will respond to messages sent to @djunto, but even then I try to redirect the response account so it comes from @disquiet. My general plan for @djunto is as follows: the way Twitter works is that any two people who follow the same account, in this case @djunto, will see any communication either one makes to @djunto. That’s an encouragement for people who participate in the Disquiet Junto to pay attention to each others’ posts, and to discover each other. Ultimately, a core component of the Disquiet Junto is communication among participants, and the @djunto account is one leg of that table, along with the request that members comment on each others’ tracks, perhaps check out the Faceboook page (, and that they participate in the join in the discussion that occurs on posts and in the threads.

By Marc Weidenbaum

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