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Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Wire and Tin

An experiment in percussion, and a lesson in tagging

RP Collier of Portland, Oregon, makes spare and admirable use of tags on his SoundCloud account. It means one thing when a track of Collier’s is tagged “ambient” and another when it says “minimal” — and as for “percussion,” that seems to signify something else entirely. The work is “minimal” in the sense of limited resources, but it’s quite apart from minimal music otherwise, quite ecstatic and exploratory, pushing the tools in various directions, from springy resonance to abstract rhythmic opportunities. Collier explains the piece in this case was made with the following setup: “Pulling and plucking thin piano wire through tiny holes drilled in the center top and bottom of a medium-size cookie tin.” And despite being more a collection of sonic potentialities than a self-contained composition, a working out of a small set of equipment, the piece ends with a little flourish.

Track originally posted at soundcloud.com/rpcollier.

By Marc Weidenbaum

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