The above video is a recent piece by R Beny, whose new album, *Full Blossom of the Evening*, I wrote about late last month ([“This Is Glisten”](https://disquiet.com/2016/09/26/this-is-glisten/)). That record has a prominent string presence, as does this track. In the discussion that — politely and enthusiastically, unlike many public discussion spaces — accompanies the video, Beny mentions that the source of the sound isn’t a guitar but, in fact, one of the synthesizer modules. “It’s the second module you see: ‘Rings,” he explains in response to a viewer’s question, “that is able to produce those guitars and other string type instruments.” He’s referring to the second module in from the left. That tone is heard here as a fairly realistic element, a largely single-line melody that traverses, deep in a lightly warbly echo, an increasingly static-lined zone. The harshness of that latter, low-fidelity noise provides a contrasting atmosphere to the gentle tones of the guitar-like material. Beny is a master of deceptively simple music whose quietude is matched by its attention to detail and its emotional richness, and this live performance is a fine example of what he’s capable of. If this piece strikes your fancy, another live performance featuring the guitar-like module is his “Spring in Blue”:
Video originally posted at R Beny’s [YouTube channel.](https://www.youtube.com/watch?v=yQ7hX3-KRb0). It’s the latest piece I’ve added to [my ongoing YouTube playlist](https://www.youtube.com/playlist?list=PLAgCxRbmR1MJxihgJkCPEnehAPvjoF71-) of fine [“Ambient Performances.”](https://disquiet.com/2016/04/30/a-youtube-playlist-of-ambient-performances/) More from R Beny, aka Austin Cairns of the San Francisco Bay Area, at [rbeny.bandcamp.com](https://rbeny.bandcamp.com/) and [soundcloud.com/rbeny](https://soundcloud.com/rbeny).