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When a Guitar Isn’t a Guitar

The modular synthesis of R Beny

The above video is a recent piece by R Beny, whose new album, Full Blossom of the Evening, I wrote about late last month (“This Is Glisten”). That record has a prominent string presence, as does this track. In the discussion that — politely and enthusiastically, unlike many public discussion spaces — accompanies the video, Beny mentions that the source of the sound isn’t a guitar but, in fact, one of the synthesizer modules. “It’s the second module you see: ‘Rings,” he explains in response to a viewer’s question, “that is able to produce those guitars and other string type instruments.” He’s referring to the second module in from the left. That tone is heard here as a fairly realistic element, a largely single-line melody that traverses, deep in a lightly warbly echo, an increasingly static-lined zone. The harshness of that latter, low-fidelity noise provides a contrasting atmosphere to the gentle tones of the guitar-like material. Beny is a master of deceptively simple music whose quietude is matched by its attention to detail and its emotional richness, and this live performance is a fine example of what he’s capable of. If this piece strikes your fancy, another live performance featuring the guitar-like module is his “Spring in Blue”:

Video originally posted at R Beny’s YouTube channel.. It’s the latest piece I’ve added to my ongoing YouTube playlist of fine “Ambient Performances.” More from R Beny, aka Austin Cairns of the San Francisco Bay Area, at rbeny.bandcamp.com and soundcloud.com/rbeny.

By Marc Weidenbaum

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