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Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

The Tape Machine

An Ondes Magnétique in action

[ November 21, 2016 / Department: downstream / Comment: 1 ]

screen-shot-2016-11-21-at-5-05-43-pm

The OM-1 Ondes Magnétique is an elegant little box that uses fluctuations in cassette tape speed to effect otherworldly yet melodic material. This video shows SineRider putting it to use. The layering effect is the result of the OM-1 being played through a “triple delay,” meaning each sequence is heard several times, providing its own gentle, hazy backdrop as it gathers and fades. It’s the latest piece I’ve added to my ongoing YouTube playlist of fine “Ambient Performances.”

For reference, here’s a demo video showing the device put to use on flute, vocal, and other source audio:

Track originally posted at SineRide’s YouTube channel. More from SineRider, aka Devin Powers of Norwood, Massachussets, at sinerider.bandcamp.com, soundcloud.com/sinerider, and twitter.com/SineRider. More on the Ondes Magnétique at ondemagnetique.com. The device is the work of Scott Campbell, who is based in New Orleans, Louisiana.

By Marc Weidenbaum

[  Tags: , , / Comment: 1 ]

One Trackback

  • By Applied Neologisms on February 24, 2018 at 5:13 pm

    […] This video is a short Instagram piece by Scott Campbell. Its accompanying hashtags (click through to see) note some of the utilized modules and their manufacturers. This lush sequence of melty xylophone-like tones, atop a foundation of chordal haze, brings to mind a lost Julee Cruise backing track or the loudspeaker music at a particularly well-curated holiday ice-skating park. (Campbell knows something about synth nomenclature himself, having developed the Ondes Magnétique cassette-tape manipulation machine, which I wrote about a couple years ago.) […]

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  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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