This extended, 15-minute piece of synthesizer space music is the latest video I’ve added to my ongoing YouTube playlist of fine “Ambient Performances.” The Japan-based musician who goes by Ozashiki Techno is using the Buchla Music Easel in a live setting. The delicate balance of power between player and played is in evidence. A synthesizer session on something like the Buchla unfolds as much by instruction and cycles as it does by touch, and thus Ozashiki’s occasional intrusion into its space to adjust a fader or flip a switch or attend to a key occurs with the listener’s understanding that if no such motion was made, the Easel would likely persist in making music nonetheless. Ozashiki is there as much to guide as to play, to nudge and shift. The piece proceeds from filmic drones to beading percussives to wispy intonations. It’s the 19th in a series of live Buchla Easel recordings that began back in mid-September 2014. For Ozashiki, the video was a way to end the year; for viewers and listeners, it will be a way to start a new one.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• July 28, 2021: This day marks the start of the 500th consecutive weekly project in the Disquiet Junto music community.
• December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
• January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0479 / Truck Radio Rain / The Assignment: Locate three sound sources and make something with them.
• 0478 / Collage of Collages / The Assignment: Make a collage that will become part of a larger collage.
• 0477 / Flying Blind / The Assignment: Record a piece of music in which some substantial portion is performed without looking.
• 0476 / IAH Forecast / The Assignment: Here's your next single's cover. Now record it.
• 0475 / Low End (4 of 3) / The Assignment: Remix a trio by doing forensics on its component parts.
And there is a complete list of past projects, 479 consecutive weeks to date.
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