New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Beats Fill the Void

Tracks from a new, anonymous SoundCloud rhythm crafter

The SoundCloud account of Ghost, the beat master — that’s the account name: “Ghost, the beat master” — is fairly new. There have been four tracks posted in the last few weeks since it opened for business. It follows one account itself, and it has four followers so far. (It would have five, but SoundCloud limits you to 2,000 follows, and I’ve maxed out. Somehow I’ve managed 2,002, but it won’t budge further. I need to delete an account from my feed for every one I add. It’s a hassle. But SoundCloud has bigger problems these days than my streaming appetite.)

The tracks by Ghost are all beats, not beats in the generic sense, but beats in the sense that they’re intended for re-use, perhaps most expectantly by vocalists, but also to serve some alternate commercial purpose, like backing an advertisement, or providing some drama to a short bit of filmmaking. The tracks are solid. They come with tags distinguishing the genres (two “trap,”” one “Electronic EDM,” one “Hip-hop &rap”), but they’re of a piece. The downbeat is hit hard. The tempo is attractively slow. All of them could be considered, to varying degrees, instrumental hip-hop. Vocal utterances, largely non-verbal but occasionally slurred statements, are part of the mix, more texture than text. “Trap, set & match” is dirge-like, with gunfire and suttering digital snares. “Sample secundo” adds an arcade flair. “Process” layers in sludgy horns — think early DJ Premier — and enough voices to suggest a street scene. And, with a touch of Kanye West’s (and others’) favor for sped-up shrill melismas, “Bad BPM” plays with anthemic keyboard horns and drum trills. More genre-dedicated listeners will catch references lost on me, no doubt.

The account is very much a calling card, with an email address for potential transactions. “Trap, set & match” may be the highlight. It has silences the others avoid, and drops in samples as much for atmosphere as for rhythmic accent:

Check out the full set at soundcloud.com/ghostthebeatmaker. Found thanks to a repost by Ogi feel the Beat of Paracin, Serbia (whose account is nearly maxed out at 1,999 follows).

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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