Marcus Fischer is currently participating in an artist residency at the Rauschenberg Foundation on Captiva Island off the Florida coast. His Instagram feed is filling up with images and brief videos captured during his time there: Sugimoto-like pictures of the sea and a studio as white as a Rauschenberg painting. He’s suspending tape loops from the ceiling and quoting his fellow residents about the changes afoot in American politics.
The Instagram materials constitute beautiful slivers of his goings-on, but fortunately Datachoir is filling the void with a 17-minute video of Fischer alone in his Portland, Oregon, home studio — one continuous solo performance for electric guitar, synthesizer, pine cones, and other tools. The constituent parts are far more than the sum total of the sounds. He takes near-silent textures and generates light dustings from them. He strokes the guitar once, and then transforms the chord into something muted yet majestic. And while he plays, the videographer tours his studio, focusing in on his instruments, on a matrix routers and additional guitars, on cabling and boxes of spare parts.
I’ve worked on several projects with Fischer myself, and I recall an instance where someone we were newly working with asked what his primary instrument is. I struggled to explain there wasn’t a single focus of his music-making imagination. That studio is his instrument, and watching him employ it at length is a true pleasure.
It’s on the Datachoir Sounds YouTube channel. I’ve added it to my playlist of longform ambient performances. More from Fischer at mapmap.ch and marcus-fischer.bandcamp.com. Previous Datachoir videos have featured Summer Mastous, Nate Dalton, and Jeremiah Green, among others.