This is the doorbell of a friend’s home, where I managed to crash on the couch a week or so ago while traveling. My friend wasn’t present the entire time, so I didn’t have to ring the bell when I arrived. I just used the key that had been left for me. This is an apartment I’ve visited many times, and rarely ever have I had to actually ring that bell. Usually by the time I’ve made my way up via elevator, the door has been left open a crack, my arrival having been preceded by an announcement from the doorman. On occasion I have rung it, but each time it felt like I was expressing an impatience I didn’t actually feel. I did once ring it purposefully, many years ago. Someone else, by all evidence a resident, was lingering in the hallway, and I got the sense that I was being viewed with suspicion. Pushing the doorbell provided a signal of belonging, sufficient enough that I sensed my onlooker begin to relax. I spent three nights here last week, and by the end felt a bit like a resident myself. No one visited me during my stay, so I never heard the doorbell ring. When I finally left, I had been instructed to put the key under the door. I did so and then, after a moment’s consideration, pushed the doorbell and listened as it resonated in the rooms that I was fully aware were entirely empty.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
Upcoming • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com. • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.
Recent • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier). • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org). • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation. • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community. • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community. • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too. • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
disquiet junto
Background Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
Recent Projects
• 0543 / Technique Check / The Assignment: Share a tip from your method toolbox. • 0542 / 2600 Club / The Assignment: Make some phreaking music. • 0541 / 10BPM Techno / The Assignment: Make some snail-paced beats. • 0540 / 5ive 4our / The Assignment: Take back 5/4 for Jedi time masters Dave Brubeck and Paul Desmond. • 0539 / Control Breath / The Assignment: Let your slow breathing guide a piece of music.
