A doorbell button sends a variety of signals. It’s an instruction, an invitation, a place-marker. When lit at night, it can suggest habitation, even when no one is home. Often, especially in dense urban settings, the doorbell’s inherent messages aren’t sufficient to the task, however. There may be numbers and letters to clarify the association of address and interface. There may be arrows directing the visitor’s eye and finger. There may be redirects for postal services. There may be cameras that, intentionally or not, create an interactional moat, a digitally mediated divide between visitor and host — the host in such circumstances has an access to, a vantage on, a control over the visitor before the visitor has ever stepped foot inside. There’s lore of the vampire, who in some tellings must have permission before crossing such a threshold; digital vampires of the opposite persuasion — the ones on the recording end of the camera — have no significant restraints on their ability to capture, to collect and collate. They need not even cross the divide to have a presence.Sometimes the additional message is simply a bit of text, like here, where the instruction to “push hard” is neatly appended below the button. This modest device has no internet-era or even multi-functional connectivity, but it does speak messages, even beyond its literal one. For context, understand that there is also an array of buttons hung on that perpendicular metal gate. This button is an add-on, perhaps a replacement for one of the earlier ones. There is personality to the writing, in particular the swirl in the numeral 2 and the playful vitality of that “a” in “hard,” its schoolbook charm somehow both youthful and old-fashioned. This writing wasn’t done quickly, or haphazardly, or out of anger. It doesn’t appear to contain a subtext of antipathy toward a landlord, or toward technology for that matter. The writing is welcoming, reducing any emotional strain that such an instruction might have introduced in other circumstances. Still, the button itself shows little wear, which can be read generously as the resilience of something well-constructed, or more likely as evidence of it having been pushed with limited frequency over the years. The genteel stroke of the pen, upon reflection, takes on a kind of neediness, the entreating smile of an urban entity that knows the loneliness of the crowd all too well. An ongoing series cross-posted from instagram.com/dsqt.
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Daniel Schrempf: "This is so well put. Great insight! I actually stumbled on this article as I was hunting for..."
Robert Gable: "Classical Pulse had slipped my mine. I remember at the time thinking that Robert Levine listened to a..."
Ian Joyce: "Thank you Marc for such a lovely and thoughtful review! "
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5 Most Recent Posts
• January 2, 2018: This day marks the 6th anniversary of the Disquiet Junto.
• February 7, 2018: Start of the semester for the course I teach on the role of sound in the media landscape at the Academy of Art in San Francisco.
• December 13, 2018: This day marked the 22nd anniversary of Disquiet.com.
• Ongoing: The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, published as part of the 33 1/3 series, an imprint of Bloomsbury, is now in its second printing. It can be purchased at amazon.com, among other places.
The Disquiet Junto is an ongoing weekly collaborative music-making space in which restraints are used as a springboard for creativity. Subscribe to the announcement list at tinyletter.com/disquiet-junto. There is an FAQ. ... These are the 5 most recent weekly projects:
• 0334 / Mass Branca / Record a massive multi-layered tribute to the legendary guitarist-composer.
• 0333 / Half Evil / Where numerology casts a shadow on musicology.
• 0332 / Lucky Numbers / Make music based on the lottery.
• 0331 / Born Under a Bad Sine / What does it sound like when a robot has the blues?• 0330 / Wax Off / Make a piece of music by erasing aspects of a pre-existing track.
• 0330 / Wax Off / Make a piece of music by erasing aspects of a pre-existing track.
... And there is a complete list of projects at disquiet.com/junto.
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