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Building on “Fever Pitch”

Joseph Branciforte has created a duet by adding to a track I recorded.

The Disquiet Junto has been going on since the first week of January 2012, and though I have moderated the Junto from the start, and we’re currently on the 316th consecutive weekly project, and the mailing list has over 1,200 subscribers from around the world, I myself have participated less than a handful of times, most recently this past week, for project 0315.

I hadn’t recorded the piece of music, “Fever Pitch,” as part of Junto 0315 initially. I recorded “Fever Pitch,” in fact, for an entirely different weekly music project series, one called Weekly Beats. When I subsequently recognized that the simple track, just a guitar line filtered by a modular synthesizer, fit the constraints of Junto project 0315, I posted it for that as well. There is a lot of cross-pollination among only compositional series. For example, I wrote a poem for the great Naviar Haiku series on the occasion of its 40th weekly project, and some people have cross-posted pieces of music between Naviar and Junto, which share a bit of the same roster in general, and we have collaborated once or twice.

In any case, the point of project 0315, “First Chair,” was for musicians to make short pieces of music that would serve as one third of a trio, with the idea that in the following weeks other musicians would, in turn, flesh out the trio. It’s an exercise in asynchronous collaboration, which is a central theme of all Junto projects. The sequence originating with Junto 0315 is simply a reinforcement through emphais of that concept.

Well, as part of Junto 0316, which is currently ongoing and will close at 11:59pm on Monday night, a Brooklyn-based musician named Joseph Branciforte did me a great honor. He added a second part to “Fever Pitch,” which he simply titled after the day he recorded it, “January 18, 2018.” It’s a marvel of simpatico consideration, his Fender Rhodes, coaxed by some effects pedals, filling in the blanks left by my guitar. I’ve been fiddling with a modular synthesizer since 2014, when I started to assemble one after marveling at a performance by Marcus Fischer at Powell’s Books in Portland at an event for my then just published book on Aphex Twin’s album Selected Ambient Works Volume II, part of the Bloomsbury 33 1/3 series. Since last July, when I started taking guitar lessons weekly, my synthesizer has gotten less attention, but I recently got into using the synth as an oversized effects pedal, which is how this piece came about.

All of which is to say, I’m writing this evening to thank Branciforte for the great pleasure his piece — that is, his piece and my piece in tandem — has brought me. There is a misunderstanding that music critics are frustrated musicians. I’m in no way a frustrated musician. I have such low expectations for what I might accomplish musically, that learning guitar and synthesizer is just as sequence of pleasurable discoveries fed by curiosity and reinforced by the steady pace of practice.

As I write this, there are already 21 tracks by almost as many musicians in the 0316 Junto, “El Segundo,” some others of which have also built on my “Fever Pitch.” I’m just beginning to work my way through the accumulating duets, and listening for the space they leave for what will soon be trios.

Track originally posted at soundcloud.com/joseph-branciforte. More from Joseph Branciforte, who is based in Brooklyn, New York, at josephbranciforte.com, twitter.com/josbranciforte, YouTube, and instagram.com/josephbranciforte.

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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