This little gadget is the Pisound, which I spent much of yesterday building under the guidance of a far more informed and experienced friend. Its existence is predicated on the Raspberry Pi, an inexpensive bare-bones computer, around $35, that is used widely in education and by tinkerers/makers. The Pisound is a sound card that attaches to the Raspberry Pi and turns it into a full-fledged media device, with an emphasis on high-grade audio processing. The Pisound is capable of serving many purposes, including a networked audio player. What I’m most interested in is its ability to serve as a programmable musical instrument, such as an effects pedal of infinite possibilities. After we got it set up yesterday — the Raspberry Pi organization is based in the U.K., and Pisound arrived from Lithuania — my friend showed me how a single line of code could transform my inbound electric guitar signal into an outbound warble that sounded like we had captured Angelo Badalamenti’s spirit in one tiny little semi-opaque box. Anyhow, yesterday was day one. Actually, the first thing we did, even before the guitar processing, was to drop in one of Fredrik Olofsson’s mini-compositions that come in the form of Twitter-sized bits of SuperCollider code. Makes me want to get a second PiSound and make a music box of generative compositions. I’m looking forward to exploring this thing more as the summer progresses.An ongoing series cross-posted from instagram.com/dsqt.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• I pondered the word "orchestral" in my liner notes for the excellent new album Uprooted from Rotterdam-based Michel Banabila, released April 9, 2019.
• I had the great pleasure of being interviewed by Darwin Grosse for his excellent, longrunning podcast, Art + Music + Technology, and the episode went live on April 7, 2019: artmusictech.libsyn.com.
• I gave the opening talk on March 22, 2019, at the inaugural Algorithmic Art Assembly in San Francisco. I'll post a summary here soon, but for the time being, there's a great overview of the event at the website of cycling74.com, written by Tom Hall.
• I was on Vivian Host's Peak Time show (on Red Bull Radio) on March 11 to extol the timeless virtues of Aphex Twin's Selected Ambient Works Volume II, and related works. You can listen to a recording here: redbullradio.com.
• May 7, 2019: This day sees the release of Rob Walker's book The Art of Noticing: 131 Ways to Spark Creativity, Find Inspiration, and Discover Joy in the Everyday (Knopf), which has entries about the Disquiet Junto.
• May 22, 2019: Final day of the semester of the 15-week "Sounds of Brands" course I teach once a year at the Academy of Art in San Francisco. I post occasional updates here. Follow the tag #sounds-of-brands.
• December 13, 2019: This day marks the 23rd anniversary of Disquiet.com.
• January 7, 2020: This day marks the 8th anniversary of the Disquiet Junto.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
Most Recent Posts
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0381 / Shared System / The Assignment: make music using a free software synth assembled by Scanner.
• 0380 / Ears Only / The Assignment: Record a piece of music for an audience of one.
• 0379 / Open Studios / The Assignment: Share a track, get feedback, and give feedback.
• 0378 / Blue(tooth) Haze / The Assignment: Experiment with the sonic qualities of a failing signal.
• 0377 / Algorithms Assemble / The Assignment: Have fun with rules applied to scales, in coordination with the Algorithmic Art Assembly.
And there is a complete list of past projects, 381 consecutive weeks to date.
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Most Recent Comments
Thomas Now: "A bit sad that Oval has become the “solo act”, as IMHO, it has reached its peak as a..."
John Paul Kostecki: "❤️ "
Stephen Vitiello: "thank you Marc! "
Andrew Culture: "I now wish I had seen Buster Scruggs at the cinema, although I’m not sure it ever got a..."
jimmy kipple: "Rubber stamp! You going full mail art in ’19?? ;) "