My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

Jessica Kert in the Frame

A live modular synthesizer performance video

A hand comes into view, the nape of a neck, a shoulder, a tattoo, then another. The camera moves continuously, seemingly the musician’s own viewpoint, until it isn’t. The perspective switches back and forth for the video’s nearly six-minute runtime, but its focus does not. The focus is always on a nest of synthesizers, patch cords going in every direction, lights signifying whether they are in or out of sync with the beat. The beat is everything in this performance by Jessica Kert. The beat is heavy and insistent, but also nudged, slightly off the initial cadence, an act of industrial dub.

This video is the precise opposite of the live performance synthesizer video I wrote about yesterday. Where yesterday Alan Dear left his modules to all the work, here Kert is ever coaxing, adjusting. There is a consonance between action and sound. Motion suggests intent and intent is mapped to how the sound alters, how it is altered. The result is formidable.

Video originally posted on Vimeo. More from Kert at instagram.com/jessyandthechords and at soundcloud.com/jessicakert.

By Marc Weidenbaum

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