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Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

A Furious Stasis

The tension between action and inaction

If yesterday’s video in this series was an exercise is extreme stasis, today’s marks a contrast. In yesterday’s, a hand occasionally appeared from the bottom of the screen to ever so slightly adjust the relative volume of four inbound cassette tapes, all in the pursuit of an ambient drone whose ethereal qualities occasionally betrayed a more complex, a rougher, texture than at first made itself apparent.

In today’s, the musician Dustmotes works furiously to nudge and transition a hovering tone, occasionally inserting new swells and the rare percussive element. Overall the music is no less subtle than yesterday’s, but this toolkit requires numerous controls to be tweaked and attended to in order to achieve Dustmotes’ goal. (Interestingly, for comparison’s sake, the musical instrument used here, the Elektron Digitone, is the same as was used to produce the audio on the cassette tapes in yesterday’s piece.) This tension between that activity and simplicity, between action and inaction, is exactly the sort of thing that my YouTube playlist of recommended live performances of ambient music was created to document and explore.

Video originally published at YouTube.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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