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Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Tapes in Concert

A live performance that is largely hands-off

It begins, as do all worthwhile cassette tape experiences, with a click, and a hard one at that. This video captures the recording of an ambient performance that consists of multiple tapes being layered in real time, their relative volumes adjusted each occasion that a hand briefly enters the screen from below. The sounds are frayed and angelic, weary and ethereal, testing the ear’s alertness to fissures in the mist. There are four different audio sources, lending different elements to the overall ensemble.

When I first started compiling such examples of recommended live performances of ambient music found on YouTube, the intention was (and remains) to share examples of the tools and skills required, and to investigate the tension between action (the musician’s effort) and inaction (the sonic stasis to which so much ambient music aspires). Needless to say, the light touch in this piece by the Glasgow-based musician who goes by Blicero represents an extreme in terms of inactivity on the part of the performer. Then again, missing is the effort that went into recording the original loops, testing the balances in advance, and doing post-production.

This is the latest video I’ve added to my YouTube playlist of recommended live performances of ambient music. Video originally published at YouTube.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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