Two Buddha Machines, both from the first generation, playing different loops through the modular synthesizer. Each of the pair of loops is running through a different preset on the ER-301 module (that’s the large module with the dual screens in the lower left). The green Buddha Machine’s output is affected by a ladder filter, and the blue one by a grain delay. Aspects of both presets are being, in turn, modulated by slow-ish and flat-ish waves emanating from the Batumi and tempered by the SPO (note the four, short orange cables toward the upper left). Hence the sense that the filter is changing on one, as is the speed, subtly, of the other. The output of the green Buddha Machine (via the processing) is going straight into the mixer. The output of the blue one (also after having been processed) is having its spectrum sliced up (via the FDXf), with two bands (and those two bands alone) going separately to the mixer, their volumes adjusted further before being output. If you keep your eye on the equalizer-looking vertical bands in the ER-301’s larger screen, you’ll see the volume of the two Buddha Machine inputs on the left going up and down, and the LFOs from the Batumi (via the SPO) doing the same on the far right. Keeping an eye on those four signals will help the ear correlate shifts within the audio.
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about
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Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
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• December 28, 2021: This day marks the 10th anniversary of the Instagr/am/bient compilation.
• January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.
• December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com. -
Recent
• December 13, 2021: This day marked the 25th anniversary of the founding of Disquiet.com.
• There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.) -
Ongoing
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto. -
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• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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Background
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
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• 0525 / Magic Number (1 of 3) / The Assignment: Record the first third of a trio.
• 0524 / Sunset Waveform / The Assignment: Read a photo like a graphic score.
• 0523 / Chill Communication / The Assignment: Record the sound of ice in a glass and make something with it.
• 0522 / Just Backdated / The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments.
• 0521 / Cannon Canon / The Assignment: Make a martial round. -
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