Time passes, and it’s awhile since you’ve seen a friend. And then you get a sense of their life that fills in the gaps a bit. Sure, there’s phone calls, and email, and voice conferencing, not to mention second-hand glimpses of them through their work. But then there’s something special, something unusual: a field recording of what their daily life sounds like — say, for example, what their office sounds like on a Sunday morning. Such a recording was posted by Rob Walker yesterday, a week after it was captured. The brief track, just a minute, is a glimpse of quiet from somewhere else. (He lives in New Orleans. I used to. We both lived there at the same time, then we both moved away, and then he moved back.) The track is tagged “sound shot,” a term that will be familiar to readers of Walker’s book, The Art of Noticing (which included some nice words about some of my work with sound). It’s from a chapter about “sonic journalist” Peter Cusack, and the idea is to record the sound of a place much as one might take a photo of a place: a sound shot, in lieu of a snapshot.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0459 / From a Distance / The Assignment: Make music intended to be heard from afar.
• 0458 / Phrase Shift / The Assignment: Make music in a sequence of parts with shared elements.
• 0457 / System Alert / The Assignment: Compose sounds for an OS.
• 0456 / Line Up / The Assignment: Interpret a painting by Agnes Martin as if it were a graphic score.
• 0455 / Inner Invertebrate / The Assignment: What does a moment (or a day) in the life of a jellyfish sound like to a jellyfish?
And there is a complete list of past projects, 459 consecutive weeks to date.
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