New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

twitter.com/disquiet: Dalton, Kadist, Oblique

From the past week

I do this manually each Saturday, collating recent tweets I made at twitter.com/disquiet, which I think of as my public notebook. Some tweets pop up (in expanded form or otherwise) on Disquiet.com sooner. It’s personally informative to revisit the previous week of thinking out loud.

Gunpowder Milkshake uses the same Karen Dalton song, “Something on Your Mind,” that Mayans MC did this past season, number three. It’s a beautiful track, how her voice always sounds like it’s going to break, and I’ll now always associate it with cinematic ultraviolence. And oh that violin that emerges. It’s by Bobby Notkoff, who played on Joni Mitchell’s For the Roses, and several Crazy Horse records (with and without Neil Young).

▰ Last month, members of the Disquiet Junto music community recorded sounds of fictional insects they had imagined. This past weekend, participants created hybrids by blending the sounds of pairs of those imaginary insects. The playlist menagerie is here: soundcloud.com/disquiet.

▰ Some coordinates:

disquiet.com
soundcloud.com/disquiet
youtube.com/disquiet
instagram.com/dsqt
flickr.com/disquietpxl
tinyletter.com/disquiet
tinyletter.com/disquiet-junto

▰ First burrito at Cancun on Mission in forever

▰ Weighing in at 1,055 pages. See you later.

▰ When I bought the URL and started disquiet.com in 1996, it was named for Pessoa’s Book of Disquiet. More broadly, it was because, unless I’m mistaken, the copyright had run out on the book, so translations could more easily be published. I had several recent ones. Oh yeah, disquiet.com turns 25 in December. The Junto turns 10 in January. Next Thursday is the 500th consecutive weekly Disquiet Junto project. But first I need to post the 499th today. (And in 6 years, it’ll be the 300th anniversary of Ben Franklin’s original Junto.)

▰ The Dune trailer looks epic. It should look epic. It’s Dune. The most promising thing may be that it appears to have a sense of humor. Alternately, the most promising thing is they seem to have ditched the Pink Floyd song.

▰ If you zoom (not Zoom) in and dial the number, you can hear a conversation between Laurie Spiegel and the late Pauline Oliveros. Or you can visit the Kadist (kadist.org) gallery in San Francisco, where the installation (Dial Tone Drone by Aura Satz) is part of the Seeing Sound exhibit. The traveling exhibition is curated by Barbara London, who in 2013 assembled MoMA’s Soundings: A Contemporary Score. Two other artists are featured at Kadist in San Francisco: Marina Rosenfeld and Samson Young. Perhaps to their credit, not one of them is on Twitter, but three of the four are on Instagram, if that’s of interest. The number is 1 (833) 764-1221.

▰ Hit pause and accidentally stumbled on Downton Abbey and Zombies:

▰ Oh, wow. When I posted to Facebook, it triggered the facial recognition, so now it looks like a first person shooter based on the Downton Abbey and Zombies movie:

▰ Really appreciate the Disquiet Junto being featured in this piece at hii-mag.com about internet communities for musicians built around compositional prompts. As one of the Oblique Strategies cards reads: “Define an area as ‘safe’ and use it as an anchor.”

▰ Checklist:

🗹 499th Junto
🗹 ton of work
🗹 long-form writing
🗹 writing that’s me cheating on long-form writing
🗹 gallery review draft
🗹 lunch with friend
☐ email catch-up
🗹 guitar practice
🗹 home cooking
🗹 some exercise
🗹 go offline until Monday

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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  • Current Activities

  • Upcoming
    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

  • disquiet junto

  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

    Recent Projects

  • 0544 / Feedback Loop / The Assignment: Share music-in-progress for input from others.
    0543 / Technique Check / The Assignment: Share a tip from your method toolbox.
    0542 / 2600 Club / The Assignment: Make some phreaking music.
    0541 / 10BPM Techno / The Assignment: Make some snail-paced beats.
    0540 / 5ive 4our / The Assignment: Take back 5/4 for Jedi time masters Dave Brubeck and Paul Desmond.

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