New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape. Jacks, PKD 2.0, Thunder

From the past week

I do this manually each Saturday, collating recent tweets I made at, which I think of as my public notebook. Some tweets pop up in expanded form or otherwise on sooner. It’s personally informative to revisit the previous week of thinking out loud.

▰ I’ve come to so associate high-pitched whines with the aftereffects of combat as portrayed in TV and film, that when one emanated from the supermarket’s public address system I briefly wondered which of my fellow shoppers had just barely survived a mortar round.

▰ I’ve apparently adjusted to the reappearance of the bus that goes up and down our block a bit more quickly and less vociferously than have the neighborhood’s canine residents.

▰ Hard won

▰ Private rail

▰ “It was — and for me, at least, remains — a truly strange thing: an audio jack that leads nowhere. … The jack had the so-called ‘male’ end, and then it dead-ended. It was, I learned later, called a dummy jack.”

Happy to see my little essay reprinted at

▰ What ongoing (i.e., currently still in progress) science fiction (or spy) series should I read? Thank you. I’m up to date on The Expanse novels, and Fonda Lee’s Jade books, and Mick Herron’s Slow Horses, and the latest William Gibson trilogy, and Murderbot.

▰ PKD 2.0:

We Can Remember It for You Freemium

Flow My Tears, the Surveillance Capitalist Said

The Man in the High Stack

▰ The new Disquiet Junto project, going live asks participants to do something the projects rarely do: to sing. In the end, though, it won’t sound vocal. (Via, though I’m thinking of switching to Buttondown or another tool, if anyone has thoughts.)

▰ I love Thursdays. An idea goes out, and then music starts flowing in. I have some idea what will come of it, but often that idea is nothing in comparison with what arrives.

▰ The teacher from Stranger Things as a teacher on Stargirl in a setting like Breakfast Club quoting Ferris Bueller’s Day Off made my Tuesday night. Stranger Things has now been around long enough to be a source in addition to a recipient of references.

▰ When you’re thinking, “Oh, why have a white noise app running when I can just listen to someone walking in a rainstorm around Manhattan,” and then … BOOM 🌩️ there’s massive thunder. Massive.

▰ Computer 5000! There’s a longtime computer store in the neighborhood called Computer 5000, which I always assumed was, like, Tron-era scifi hyperbole. Today I recognized that 5000 is its street address.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of
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    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly ( at Gray Area (
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    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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