New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape. Mailman, Ida, Phaedra

From the past week

I do this manually each Saturday, collating recent tweets I made at, which I think of as my public notebook. Some tweets pop up in expanded form or otherwise on sooner. It’s personally informative to revisit the previous week of thinking out loud.

▰ “If you’d prefer to wait in silence, press 4.”

▰ Waiting for the What If…? episode in which the Watcher recalls that he once, long ago, played Jean-Michel Basquiat, and that Basquiat had once, long ago, drawn superheroes.

▰ The first day of every month is when I’m reminded of how many Mailman-powered email lists I’m subscribed to.

▰ Ida WFH. Rob Walker recorded the sound of the hurricane from his New Orleans home office on August 29th:

Highlights from latest This Week in Sound issue: smart speaker surveillance, listening to gravitational waves, the $12,262 megaphone, AI crime-fighting failure, newfangled hold music, Val Kilmer’s new voice, and more.

▰ Set my Zoom background to a production still from Devs. Right now I’ll take a machine-learned dystopia over reality.

▰ Current status

(Fact check: I’m not actually watching Billions at this moment. Just mental/emotional status.)

▰ I recently bought a second 25″ screen. All I keep on it is a pair of browser windows, each a spreadsheet. It’s the best whiteboard for such things because when I want to I just turn it off (or pull up footage of someone wandering Tokyo), and I don’t have to look at the lists.

▰ Just gonna have “Phaedra” off the upcoming Amon Tobin album, How Do You Live, on repeat until the good news outdoes the bad news. So, for a while.

Technically I’m listening to Amon Tobin’s “Phaedra (People Scraping the Outside of the Building Prior to Painting Because I Need to Recharge My Noise Cancelling Headphones’ Battery Remix),” but I’m pretty sure the original is awesome, too.

▰ I can no longer hear the work being done on the building so maybe they’re taking a break but more likely I have simply, fully, willingly succumbed to this song.

▰ Perhaps you’d be astonished by how many press releases and announcements go out for singles and albums saying nothing about the music. Here’s the cover, here’s some merch (need another branded tote?), here’s a moody artist photo. Thanks for the inbox clutter. Unsubscribe. Delete.

▰ It’s a Bandcamp Friday, but rather than list a few records I recommend, or other people’s lists of recommended records, maybe I’ll recommend other people’s lists of other people’s lists of recommended records. Or, you know, suggest people read some reviews and buy some records.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of
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    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly ( at Gray Area (
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    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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    0547 / Genre Melee / Combine two seemingly different genres.
    0546 / Code Notes / The Assignment: Make music that includes a secret message.
    0545 / Unself-Awareness / The Assignment: Learn from feedback intended for others.
    0544 / Feedback Loop / The Assignment: Share music-in-progress for input from others.

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