Barely a month ago, on April 2, Carl Stone performed a livestream concert with an interesting organization called MSCTY “a global agency for music + architecture,” per its website). The set consisted of upcycled field recordings of Tokyo, and I reviewed it for the latest issue of The Wire magazine. Below is the opening section of my article. The full piece is in issue #460, the one with Japanese musician Phew on the cover.
And here’s the full concert: