New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Current Favorites: Stillway, Knobs, Mursyid

On Instagram

It’s been quite an odd week for Instagram, which has reportedly been testing out a variety of shifts to its interface and focus. This post is a reminder of some of the good that can be found amid the … well, everything else. It’s also the latest in a series of occasional answers to a frequent question: “What have you been listening to lately?” These are annotated, albeit lightly, because I don’t like reposting material without providing some context. I hope to write more about these in the future, but didn’t want to delay sharing them.

▰ It’s been four years since, in 2018, the highly talented guitarist Jamie Stillway released City Static, which included some beautiful ambient soundscapes. A new live studio performance (at instagram.com/jamiestillway) shows her back at it, writing, as she jokes, “the kind of music that puts cats to sleep.”

Knobs, aka Scott Harper, best known for some of the most simultaneously whimsical and informative videos about guitar pedals, has an album due out. Get a listen to preview videos, such as this one, at instagram.com/knobs.creative .

Fahmi Mursyid (at instagram.com/_fahmi_mursyid_ ) records with a wide variety of tools, some of them software-based, such as this droning, pulsing music (that’s half downtempo techno and half space-station infrastructure A.S.M.R.) in the visual coding tool known as Pure Data.

By Marc Weidenbaum

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