Scratch Pad: Tuner, Neuromancer, Alerts

From the past week

At the end of each week, I usually collate a lightly edited collection of recent comments I’ve made on social media, which I think of as my public scratch pad. I tag on what books I may have finished reading. Knowing I’ll revisit my social media posts, I’ve found, serves as a positive and mellowing influence on my online activity. I mostly hang out on Mastodon (at post.lurk.org/@disquiet), and I’m also trying out a few others. And I generally take weekends off social media.

▰ I was distracted during the movie Tuner when a piano tuner, in one of many such metaphoric excursions, said that a single key can seem in tune yet may not fit in with the other 87 — all while sitting at what we’ve been told is a Bösendorfer, which I associate with expanded keyboards (92 and 97). I then read up, and was reminded that Bösendorfer makes regular pianos, too, so no foul. Still, I wondered why mention that specific manufacturer, beyond a very pro-Yamaha production over all (note the t-shirt worn by the younger tuner, and the shade thrown on Steinway by the maestro — and Yamaha owns Bösendorfer).

▰ Has a composer been announced yet for the upcoming Neuromancer TV series? The cast and crew are listed in detail on IMDB (including a lot of puppetry — what’s going on there?), among them both sound and music supervision, but no composer is named.

▰ If you happen to go back in time and meet much-younger me, please mention that in the future I’ll live walking distance from at least five Burmese restaurants. And after an inevitable pregnant pause, mention how tasty Burmese food is. Thanks.

▰ It’s alarming how many fire engines, with alarms blaring, have gone by the living room window in the past half hour, all headed toward the ocean — and this all the more alarming because it is not noon on a sunny day.

▰ No music in the barbershop, just two scissors, not in anything approaching sync. … Eventually the semi-silence was broken by the Hollies’ “Jennifer Eccles.”

▰ I many years ago turned off all alerts on my phone except texts, which I mute after hours, and phone calls. At some point I turned on Slack weekdays during work. The only other app that snuck through and that I stuck with is YouTube Music, so on occasion I get these random alerts about a new release by Atarashi Gakko! or some string quartet or John Fogerty or Sarah Davachi, and those are all sort of a treat. In other words: thumbs up to treat alerts. Just, as with sweets, not too many of them.

▰ Finished reading some manga tankobon this week. There was the first volume of Ao Kojima’s Hon Nara Urdu Hodo, about a bookstore, its owner (and previous owner), and its customers, all of which sprawls into these lightly connected stories that have a bit of a Midnight Diner (by Yarō Abe) vibe in terms of structure. And then there were the first three volumes of Tomoko Yamashita’s Ikoku Nikki, which is about a 15-year-old girl whose parents die in an accident, and who is taken in by her mom’s sister, a fiction writer. The aunt is somewhat anti-social and the teenager is more outgoing, and while they truly don’t understand each other, they understand that they don’t understand each other, and that appears to be enough to provide a foundation for their relationship. Both series are quite good, and I’ll continue reading them for sure. Nikki ended after 11 volumes, after which Yamashita moved on to another series about a novelist, this one titled Tatsumaki, which I’ll check out as well.

Two Scissors in a Barbershop

A quiet cacophony of cuts and pauses

The barbershop that I usually go to employs two barbers: one who plays oldies, and the other who plays no music when the one who plays oldies isn’t around. Today, both barbers were present, and there was a customer in each chair, so I took a seat and waited. It took a few moments before I noticed that no music was playing, which is unusual when both barbers are on duty. Each barber spoke to his respective customer until there was no speaking at all, and then all I heard was the two industrious pairs of scissors at work. When the barbers did speak, they gave room for each other to communicate clearly with their customer. When they cut, however, there was no such balance necessary. The result was a quiet cacophony of cuts and pauses. I managed to record 10 seconds. I don’t think this recording reflects particularly well the crispness of those four blades in this tiny shop, but I did my best under the circumstances. After the fact, it sounds a bit like a sword fight.

Disquiet Junto Project 0758: Background Noise

The Assignment: Play into the distraction.

Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have five days to record and upload a track in response to the project instructions.

Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. The Junto is weekly so that you know it’s there, every Thursday through Monday, when your time and interest align.

Tracks are added to the SoundCloud playlist for the duration of the project. Additional (non-SoundCloud) tracks also generally appear in the llllllll.co discussion thread.

Disquiet Junto Project 0758: Background Noise
The Assignment: Play into the distraction.

Step 1: Consider past moments during which background noise has been an unwelcome distraction for you.

Step 2: Now, set up some loud noise to play continuously wherever it is you record your music — or, perhaps, situate yourself to make music where there is noise (near a busy freeway or a raging river, for example).

Step 3: Record a track that you make with that background noise fully audible — that is, play into the noise.

Tasks Upon Completion:

Label: Include “disquiet0758” (no spaces/quotes) in the name of your track.

Upload: A person participating in the Disquiet Junto should post only one track per weekly project (SoundCloud account preferred but not required). If on occasion you feel inspired to post more than one track (whether to a single account or across multiple accounts), you should clarify which is the “main” rendition for consideration by fellow members and (if on SoundCloud) for inclusion in the SoundCloud playlist.

Share: Post your track and a description/explanation at https://llllllll.co/t/disquiet-junto-project-0758-background-noise/

Discuss: Listen to and comment on the other tracks.

Additional Details:

Length: The length is up for you.

Deadline: Monday, July 13, 2026, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s preferred (but not required) to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

Please Include When Posting Your Track:

More on the 758th weekly Disquiet Junto project, Background Noise — The Assignment: Play into the distraction — at disquiet.com/0758.