This Week in Sound: “Every Appliance Is Serenading Us”

A lightly annotated clipping service

These sound-studies highlights of the week originally appeared in the September 19, 2023, issue of the Disquiet.com weekly email newsletter, This Week in Sound. This Week in Sound is the best way I’ve found to process material I come across. Your support provides resources and encouragement. Most issues are free. A weekly annotated ambient-music mixtape is for paid subscribers. Thanks.

▰ MUSIQUE D’AMEUBLEMENT: “As brands continue to search for ways to cut through the proverbial noise and connect with customers, we can only expect more appliance acoustics,” writes Johnny Brayson, reporting on what many people have noticed, which is that “Seemingly every appliance, from the vacuum to the dryer, is serenading us these days.” Also: “As novel as it may seem, it’s just new to the West. Appliances have been singing in other parts of the world before the dawn of the millennium, with Japanese appliance manufacturer Zojirushi incorporating chimes in their rice cookers as early as 1999. The sounds not only helped the brand stand out in the sea of standard beeps made by competitors’ products, but also it showcased the capabilities of then-new microcomputer tech, as programming the tones wasn’t possible before. Like Zojirushi, the consumer electronics brands filling American homes with song today are doing so for both emotional and practical reasons.” Erik Satie might be proud. (Thanks, Lowell Goss!)

▰ VOCAL DISCORD: Lisa Mulcahy at the Washington Post (gift link) explains both why one might find one’s voice annoying (“58 percent of the survey subjects said they didn’t like listening to themselves,” per Harvard teaching hospital research), and what can be done about it: “Several interventions are possible, including vocal cord injections using collagen, gel fillers or Botox. … Voice therapy using airflow exercises can be a helpful, safe alternative.” Me, I depend on speech-to-text tools, like MacWhisper and rev.com, to transcribe things for me, in part to save time, but also so I don’t have to hear myself. (Thanks, Mike Rhode!)

▰ TOTALLY TUBULAR: A new update to the more recent of the AirPod Pros — or, as scriveners in the field of gadget journalism term them, AirPods Pro — means the devices “will automatically adjust to your environment or activity so you don’t have to touch the earbuds or reach for your phone.” Yes, this is a product update, and no it isn’t the end all or be all of just about anything, but per other recent writing here, I do think it’s highly valuable to track both technological milestones and exploratory interface tweaks, because today’s peculiar, fledgling firmware adjustment is the near future’s new normal. Not just observing these changes but documenting them in real time is highly valuable. “When there’s a change in your surroundings,” writes Billy Steele at Engadget, “Adaptive Audio gradually starts tweaking the blend of ANC and transparency. So if you enter a loud coffee shop or sit near a noisy A/C unit, AirPods Pro gently increases the level of noise cancellation to combat the clamor. The point is to smooth the transition, so the change in cancellation level doesn’t become a distraction itself.” (Related but less of a tectonic shift: there are 20 new iOS ringtones, including ones crafted by musician Adam Young, of the electronica act Owl City.)

▰ ALL EARS: SonarWorks has posted a survey of data about the headphone industry, noting: “The headphone market is highly consolidated with the top 10 headphone models together representing 36% market share and the top 3 models 19% market share.” Details include market share among the top 162 models, with Apple at roughly 20%, between three models. (Caveat: “Unfortunately, China and India were left out of our research due to a lack of available data.”) There are also several charts. This one below: “The frequency responses of the top 162 headphone models are represented by colored lines with the weighted average shown as a solid black line.” The variance at the high end (on the right) is quite striking. (Thanks, Kirke Godfrey!)

▰ QUICK NOTES: Pivot Tabled: I’m comfortable saying that I don’t understand the new product offering from Clubhouse, the “voice social media” service. ▰ Class App: Duolingo’s music lessons are, indeed, coming. I’ve been doing German for — checks phone — a 135-day streak. I’m looking forward to trying it out. ▰ Quiet Mode: Nathan Moody notes, on Twitter/X, the ASMR promotion of the upcoming Expendables film (apparently Extraction 2 and A Quiet Place did similar things). ▰ The Other Tweet App: Check out birdsong.fm, which is what it seems like (thanks, Jason Wehmhoener!) ▰ Mm-Hmm: 3M is on the hook for six billion dollars (for veterans and service members) due to hearing loss “from faulty earplugs.” That’s two billion per M. (Thanks, Rich Pettus!) ▰ Doggone Crazy:Researchers in Hungary are learning how best to talk to a dog(Also, thanks, Rich!)

On the Line: Roden, Yong, Furst

Some favorite recent sentences

“His way of being in the world was encapsulated in his ‘lower case’ methodology, making for a gently provocative musical legacy that I am sure will undulate tidally into and out of focus over the coming decades.”

The “His” is Steve Roden, the late artist (and a friend of mine), who died earlier this month. The “I” is Lawrence English, writing an appreciation in the Quietus. I fully subscribe to English’s “tidal” prediction — the projected ebb and, especially, the flow.

. . .

“I didn’t find birding so much as it found me.”

That is Ed Yong, author of An Immense World: How Animal Senses Reveal the Hidden Realms Around Us, in his newsletter.

. . .

“The Zebra owned a little radio; it played static, and also a station that stayed on the air all night long, playing scratchy recordings of Schumann and Chopin from somewhere in the darkness of Central Europe, where insomnia had become something of a religion.”

That sentence is “recent” only as in the “recent to me” sense. It’s from 1991. It’s from the second novel, Dark Star, of apparently 15 in the Night Soldiers historical spy series by Alan Furst. And for context, the “Zebra” is the nickname of someone the book’s protagonist spends an evening with. The time is just prior to World War II.

Sound Ledger: Laguna Beach

Audio culture by the numbers

30: Number of minutes of “nonstop” dog barking that becomes eligible as a noise complaint in Laguna Beach, California

60: Number of minutes of “intermittent” dog barking that becomes eligible as a noise complaint in Laguna Beach

500: Cost, in U.S. dollars, for a “third and subsequent offenses within a 12-month period”

Source: latimes.com

Junto Profiles: The First 20

Orkney, London, Tallinn, Los Angeles: talkin’ ’bout experimental music

Something I’ve wanted to do for the longest time was not just to get to know more members of the Disquiet Junto music community, but to do so in a way that helps others get to know them. I’d attempted trial runs along these lines a few times over the years, but it only finally kicked in these past few months, when I’ve managed to interview a range of Junto participants with a wide variety of backgrounds in terms of experience, geography, aesthetics, training, and other characteristics. The first 20 are now online, and there are more to come. Here they are in reverse order of publication date, between February 6, 2023, and September 15, 2023:

Matthew Ackerman: From Los Angeles: “joyfully avant-garde,” experimenting in DAWs, collaborating online

leon clowes: From London, England: autoethnography, transdisciplinary creative practice, revisiting the music of one’s teens

Ray Cobley: From Orkney Islands, Scotland: discarding nothing, living remotely, working with Pure Data

Magnus Lindencrona (aka gis_sweden): From south of Gothenburg, Sweden: observing while commuting, working with limitations

Darren Bourne (aka halF unusuaL): From Nottingham, England: ignoring dead ends, composing for dance and theater

Kel Smith (aka Suss Müsik): From Pennsylvania: handmade electroacoustic instrumentation; reducing complexity

Paul Beaudoin: From Tallinn, Estonia (previously Boston): studying with Morton Feldman and adding beats

Ethan Hein: From New York City: teaching technology and theory, sampling Thelonious Monk

Nick Sinnenberg, aka Sinny: From New York: drumming, collaborating, opting for blemishes

Andreas Winterer, aka Krakenkraft: From Munich, Germany: breaking rules and making “boring” music

Mark Rushton: From Des Moines, Iowa: streaming live, and leaving nothing on the shelf

Michel Banabila: From the Netherlands: “Be open for anything that can happen.”

Joe McMahon, aka Equinox Deschanel: From West Virginia, now SF Bay Area: welcome imperfection, false dichotomies

Klaus-Dieter Hilf, aka RabMusicLab: From Heidelberg, Germany: Mathematics, Munich, MIDI

Jason Richardson, aka Bassling: From Leeton, New South Wales, Australia: drafting, redrafting, and collaborating

Aethyr: From Sheffield, England: eschewing perfection, tweaking genres

Kei Terauchi Sideboard: From San Francisco, California (and Japan): embracing contradictions, reading to compose

xiiixxi: From York, England: growing up with Italian opera, working with Euclidean rhythms

Ian Joyce: From the North Wales coast: soporific synths, having fun, the cat’s meow

Daniel Díaz: From Paris, France: working in film, making space, keeping a notebook