Scratch Pad: Fog, Metadata, Earaches

From the past week

At the end of each week, I usually collate a lightly edited collection of recent comments I’ve made on social media, which I think of as my public scratch pad. I find knowing I’ll revisit my posts to be a positive and mellowing influence on my social media activity. I mostly hang out on Mastodon (at post.lurk.org/@disquiet), and I’m also trying out a few others. And I generally take weekends off social media.

▰ I’m not saying the fog isn’t thick today. Thick it is: no bridge, no Headlands. But when it’s this thick and there’s no fog horns, I wonder if I’m overestimating its thickness, like it’s so thick that it’s muffled the sound. A tugboat drones along China Beach, simply to confirm my ears haven’t gone.

▰ I’m reading Moby Dick, which is way funnier than I expected: “cherish the greatest respect towards everybody’s religious obligations, never mind how comical” (actual quote). I’m 18 (short) chapters in, and there is much comedy gold. I love how Ahab’s cartoonish henchmen are like “No cannibals!” Then the cannibal, Queequeg, throws a touchdown. And they’re all: “We want the cannibal!” (Those last two are paraphrases.) Also, how they call Queequeg “Hedgehog.” OMG.

▰ MP3s, FLACs, and WAVs: “Music metadata is a mess”

ebooks: “Hold my beer”

▰ I’m prone to earaches when it’s windy, and I’ve been amazed by how earbuds essentially solved this problem: I set the earbuds to ambient* mode and then go for a walk.

*that is, enhancing the environmental sounds, not listening to ambient music at a high volume

▰ I often read a novel over breakfast, but there are better ways to start the day than a protagonist’s dog and (human) oldest friend both dying within a few paragraphs of each other.

▰ I’ve switched browsers on a test basis (Zen, a streamlined take on Firefox). With a heavily used tool like a browser, such a switch means a lot of muscle-memory revisions and habit shifts. Emerging from a week of UX decompression, I find myself still not recognizing the new browser’s logo as my browser when I tab through the open software on my laptop. Otherwise, I feel at home.

▰ I finished reading one novel this week, Beautyland by Marie-Helene Bertino. I enjoyed it, even though I ventured in due to the suggestion of science fiction, which then becomes an either-or decision on the part of the individual reader, and I found myself erring on the side of it not being science fiction, which meant the book’s end proved quite dark, which is an interesting effect, amounting to an encouragement, after the fact, for the non-believing reader to retroactively believe the protagonist, in order for the end to be recast as a positive one.

Disquiet Junto Project 0707: Chain of Practice

The Assignment: Make music from how you make music

Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have five days to record and upload a track in response to the project instructions.

Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. The Junto is weekly so that you know it’s there, every Thursday through Monday, when your time and interest align.

Tracks are added to the SoundCloud playlist for the duration of the project. Additional (non-SoundCloud) tracks also generally appear in the lllllll.co discussion thread.

Disquiet Junto Project 0707: Chain of Practice
The Assignment: Make music from how you make music.

This project is the third of three that are being done by the Disquiet Junto in collaboration with the 2025 Musikfestival Bern, which will be held in Switzerland from September 3 through 7. The festival topic this year is « Kette » — which translates, as the organization explains, to “Chain”: “Chains connect but they also bind. They create relationships but also restrictions. As a gift they look nice, feared when used in vice, and yet they can span bridges across fire and ice.” All three Junto projects this year engage with the work of Svetlana Maraš, who is the Composer-in-Residence for the 2025 festival.

We are working again at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. This is the seventh year in a row that the Junto has collaborated with Musikfestival Bern. Tobias helped prepare this week’s compositional concept.

Step 1: Think about your artistic practice.

Step 2: Write down one sentence that in some manner describes your artistic practice.

Step 3: Record yourself, or someone else, reading the sentence that resulted from Step 2.

Step 4: Use the recording made in Step 3 as the sole source material for a new musical/sonic composition.

Tasks Upon Completion:

Label: Include “disquiet0707” (no spaces/quotes) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track, but if you post more than one, clarify which is the “main” rendition.

Share: Post your track and a description/explanation at https://llllllll.co/t/disquiet-junto-project-0707-chain-of-practice/

Discuss: Listen to and comment on the other tracks.

Additional Details:

Length: The length is up to you.

Deadline: Monday, July 21, 2025, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s preferred (but not required) to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

Please Include When Posting Your Track:

More on the 707th weekly Disquiet Junto project, Chain of Practice — The Assignment: Make music from how you make music — at https://disquiet.com/0707/.

Aphex Twin (032c Edition)

I was interviewed by Cassidy George

Back at the start of the year, a special issue of 032c, the culture magazine named for a Pantone color, included writer Cassidy George’s lengthy A-Z of the great Aphex Twin. The roundup, which ranged from “Acid” to “Zealous,” with stops in between for “Chris Cunningham,” “IDM,” and “Xtal,” among other topics, included a quick little Q&A with me. Here’s my section:

That bit was filed under “Ambient,” in between “Analord” and “Bank.” This is from the Winter 2024/25 issue. The full run-down is online at 032c.com.