“Passing Waves”

Two pedals, Tuesday evening

Separate lines on two different loopers, sometimes recording the same thing, generally not, all notes played on guitar, all with especially slow attack accomplished with the guitar’s volume knob, most notes closing with a natural decay. Recorded to phone from amp, live in the room. Post-recording: harsher high-register overtones removed with extreme prejudice in Adobe Audition, with some reverb added because why not?

Track posted at [soundcloud.com/disquiet](https://soundcloud.com/disquiet/passing-waves).

Wave Form

An ongoing series cross-posted from instagram.com/dsqt

The ocean provides a useful generative sample. The Instagram interface turns it into a loop. (Darn. That’s only the case within Instagram. The embedded version here doesn’t loop. Check it out at [instagram.com/dsqt](https://www.instagram.com/p/CGvr-5wBk0X/).)

“Wednesday Loops”

Two pedals, one dominant beat

Wednesday night, playing with loops, one seven beats long, the other eight, then layering occasional accent notes. Fade in and out just turning the knob on the amp once the loops were left to their looping. Recorded to phone put in front of the amp. Not sure why the eight-beat loop is more prominent than the seven-beat one, except perhaps that it’s in 4/4 so the brain registers it more easily. Also not sure about that one hiccup at :46 seconds. Something suddenly went out of alignment and then came just as suddenly back into alignment. The bit at the very end isn’t a tape cassette stopping. It just sounds like that.