- Just had that "wish there was something I could listen to while I'm listening to this" feeling. Must be a word for that. #
- Finally saw Visual Acoustics, great doc film on architecture-photographer Julius Shulman. Good lite-glitchy score by Charlie Campagna. #
- Morning sounds: five hard drives whirring, three ice cubes crackling, one bus passing. #
- Was wondering about recent Japanese/日本語 Tenori-On chatter. It's "TNR-O," a cheaper edition: http://is.gd/4OtNL http://is.gd/4OtP1 #
- One step closer to the Throbbing Gristle”“FM3 Gristleism machine. Video of the gadget: http://is.gd/4Ooas #
- ♫ Free afternoon audio-stream: The No Type collective organizes catalog by theme ("beats," "loud," "soothing," etc.): http://is.gd/4O15I #
- Wishing iPod Touch audio-game apps worked their algorithmic magic on songs contained inside the firewalled fortress that is iTunes. #
- ♫ Free afternoon audio-stream: dubby gitch (glitchy dub?) and epic whorls from Kallabris/Legowelt on Entr'acte: http://is.gd/4McrN #
- The 193 other things that "IDM" can stand for, in addition to "Intelligent Dance Music": http://is.gd/4NdEb #
- Morning sounds: typing, bird song, bus rattle, hard-drive hum, old-timey Chinese music on radio passing by front of house. #
- RT @rddy Shimokitazawa redevelopment debate, clarified: http://bit.ly/4bxS5M (i.e., what's happening to one of Tokyo's most happening hoods) #
- Yow. Evernote 3.5.0.567 for Windows (aka 3.5 Beta 3) major improvement over predecessor. If you de-installed 3.5, good time to jump back in. #
- Any word on when YamiPod will work with the iPod Touch? #
- Week's best TV sound design: office full of ringing phones (Mad Men, 11/1); futurist-Muzak version of theme song (Good Eats, 11/2). #
- MP3 Discussion Group this week is of two recent and lush drone albums, both by Mountains: Choral and Etching. Join in at http://is.gd/4LGIr #
- New Don DeLillo book, Point Omega, due in 2010. Like Jonathan Lethem's Chronic City, sounds like literary Fringe: http://is.gd/4L5SG #
- Halloween night, and what sound wasn't heard? The doorbell ringing. #
- Gym music: bunch of netlabel releases, new Forced Exposure stuff, & an old Enduser / Larvae 12" (2006) — @adnoiseam addiction continues. #
- Listening to John Kannenberg field recording on repeat. Wondering if the loud birdsong confuses the winged creatures in the backyard. #
- Gym music: new Broken Note album on Ad Noiseum, increasingly a favorite label of mine. Humorous number of candy wrappers on the gym floor. #
Japanese Drone via Paris (MP3)
The Taalem label circulates its music in various ways. There are CD-Rs, FLAC files, a streaming radio station. No MP3s, aside from excerpts, but since we’re talking about Taalem, we’re talking to some extent about drone music, which means an excerpt, at upwards of five minutes, is longer than what many musicians working in electronica would consider a proper song. Case in point, “Jule 0” by Pollypraha, off the Jule album, one of three released by Taalem on Halloween. (Taalem is based in Paris, so this may not have been a meaningful date — it may simply have been October 31.) Pollypraha is Japan’s Takeyuki Hakozaki, and “Jule 0” is an extended, slowly executed wave form, a series of wave forms, really, that strive in loose conglomeration to avoid any semblance of a down beat without ever fully evaporating (MP3). And it — or, that is, they succeed.
Full details on release at taalem.com. More on Hakozaki at myspace.com/pollypraha.
A Little Brainwave Music (MP3s)
A lot of electronically mediated music and sound is described as “brainy,” usually with the term employed to suggest (or perhaps cover) dismissive intent. The word, though not the negative connotation, applies fully to Ganzfeld State by FSK1138, aka musician Donald Baynes. To record the lightly rhythmic works, Baynes used electroencephalography to map his own brainwaves back in August, and then used that data as the basis for the album’s sound. Some of the tracks add in vocal samples, among them an opening remix (a “Roshak Edit” of a song titled “Beneath Me,” which features a voice over from the Watchmen movie adaptation) and a track titled “I See Calculus,” in which the phrase is spoken over the electronica equivalent of an old radiator spewing metallic rhythms and hiss.
The standout track may be “Hushed,” which dispenses with the verbal toying and puts all its eggs in a fragile basket true to its title (MP3), a lightly flanged whir over the tribal beats of dust mites.
Get the full release at the Panospria netlabel (notype.com) or at its archive.org page.
Jazz-Tinged Populist Techno from Etienne Jaumet (MP3)
It’s rare that an act manages to pull off what Underworld does — locate a place where populist techno pulses its way deep into a noirish zone. There’s a whole lot of Underworld inside Etienne Jaumet, whose Night Music EP came out recently. Case in point, the collection’s lead track, “For Falling Asleep,” an upbeat-yet-dreamy swath of head-nodding 4/4 fun, all the flurrying synth action of a Dario Argento soundtrack, and enough Tangerine Dream”“style counterpoint to keep things interesting (MP3). There’s also layers of saxophone that bring to mind Spring Heel Jack before they went deep into the realm of free improv. More on Jaumet at myspace.com/etiennejaumet and at dominopublishingco.com.
Dave Seidel’s Complex Silences (MP3s)
The Complex Silence series is an effort by the TimeTheory netlabel and musician-curator Phillip Wilkerson to engage musicians in long-form compositions that explore the titular aesthetic. The sound on the four entries thus far is at once quiet yet dense, understated yet nuanced, singular yet rich. The latest, Complex Silence 4, is by Dave Seidel, whose contribution takes the Golden Ratio as its starting point. Its two pieces, “Meridian Transit” (MP3) and “Solar Midnight” (MP3), are super-slow drones — their beat, such as it is, proceeding at a gap of several seconds. What’s complex about the unassuming simplicity of Seidel’s pieces is the variety intrinsic in those seemingly ordinary drones — there are numerous overlapping waves in each track (to my ears, even more in “Meridian Transit” than in “Solar Midnight”), which means that when played loud, the room fills with overlapping patterns. It’s a bit like staring for a long while at some massive cliff and slowly making out the striations that have occurred over vast periods of time.
Get the full release at archive.org. More on Seidel at mysterybear.net. More on TimeTheory at archive.org, jon7.net/timetheory, and myspace.com/timetheorynetlabel. More on Wilkerson at phillipwilkerson.net and phillipwilkerson.blogspot.com.