Remixed Electricwest MP3 by Celer

In our current moment of near-simultaneous real-time data, the Internet is a place where things are constantly remixing themselves, often before we have a chance to experience the “original,” which is, to be clear, more of then not itself based on pre-existing materials. The netlabel archaichorizon.com embraces this fact with its most recent release. It consists of two sets of tracks: 11 by Electricwest, with the collective title Moth3r, and then 11 remixes, a different artist having taken on each of the “original” cuts.

Many of the remixes simply extend the more surface pleasures of the originals, but there are notable exceptions. Take the opening track of Moth3r, “Goddess.” It’s a mix of raspy beat, mournful single-note melodic line, and all manner of little sonic filigrees, like frizting squeaks and momentary vocals (MP3). The accomplished remix, by Celer, is something else entirely — it sounds like the original heard toward the end of its death throes, the beat removed entirely; all that’s left is an eerie drone penumbra surrounding a fading throb (MP3).

[audio:http://www.archaichorizon.com/releases/ah033/music/01_Goddess.mp3|titles=”Goddess”|artists=Electricwest] [audio:http://www.archaichorizon.com/releases/ah033/music/01_Goddess_(celer_rmx).mp3|titles=”Goddess (Celer Rmx)”|artists=Electricwest (Celer Remix)]

Past Week at Twitter.com/Disquiet

  • Really dug Moon movie. Sam Rockwell is great in captivity. And Clint Mansell's score, while among his least atmospheric, functions well. #
  • Morning sounds: floors creaking, dishes rattling, laptop humming, bus passing. #
  • RIP, Ali Akbar Khan (b. 1922), sarod genius & jazz-raga fomenter. #
  • Have tickets to new film The Moon tonight — looking forward to lo-key science fiction mode, but all the more so to new Clint Mansell score. #
  • Morning sounds: fridge, distant electric toothbrush (like a didjeridu), baby-squeal next door, occasional bus (house rattle & machine hum). #
  • #followfriday on Twitter: sound-ists @soundwalkdotcom & archivists @footage plus sampling musicians @thegrassyknoll & @whyarcka #
  • Evening sounds: distant typing and paper-shuffling, plane overhead, neighbor's laundry, laptop fan (healthy), car passing. #
  • It's clea that the "r" key on this keyboad is no longe woking. I've had this thing since 1996. Hope new compute aives soon. #
  • Just finished the sixth Parker novel, The Jugger, just in time for the latest episode of Burn Notice. It's a hard-boiled life, vicariously. #
  • Tonight, neighbor's SOMA photo exhibit. Maybe Dinosaur Jr exhibit? Is there a better "all art openings" listing in SF than 96 Hours? #
  • Starting next Monday I'll be in a gang discussing Dave Hickey's art-theory book The Invisible Dragon at Molly Sheridan's artsjournal.com/gap #
  • RIP, Bob Bogle (b. 1934) of the Ventures, kings of instrumental rock & theme-song goodness: http://is.gd/14IJ3 #
  • Sign behind the bar last night: "No Web Site." #
  • Drinking a Michelada in a glass goblet from Liuzza's. Listening to various DJ Mark the 45 King instrumentals, some though my Korg Kaoss Pad. #
  • Can't wait for gardenofmemory.com Sunday in Oakland: Joe Colley (who reminded me), Beth Custer, Dimuzio/Wobbly, Kent Sparling, Vorticella… #
  • Gym music: the new Kronos: Floodplain. "Oh Mother, the Handsome Man Tortures Me" (rocks as hard as anything on the recent Metallica). #
  • Listening to vinyl of Clash's London Calling. Reminded of added aural element, when a tiny, tinny version of the LP emanates from needle. #
  • Sunday morning sounds: laptop fan, ear buzz, footsteps, a few birds (some motion, some singing), not a single car or bus for last half hour. #

Quote of the Week: La Monte Young’s Stasis

From a June 12 blog entry by composer-critic Kyle Gann:

    La Monte Young showed me his early string quartet in which the five movements are all almost identical, and I asked him why, and after a moment’s musing he responded, “Contrast is for people who can’t write music.”

Full post at artsjournal.com/postclassic.

Four Film Cues by Kent Sparling (MP3s)

The sound designer and musician Kent Sparling may make some of the best music about which I have the opportunity to read the least often. Albums like Route Canal Diary and Under New Manna, their punny titles aside, are some of the richest contemporary explorations of electro-environmental ambience, close in spirit to Brian Eno’s Thursday Afternoon, yet with their own inner coherence and language.

Sparling composes film music, as well, and there are up on his kentsparling.com website, among the many tracks, four cues from the 2007 film The Princess of Nebraska (from director Wayne Wang), including “Mother of X,” a Morricone-esque combination of plain-winds and whistling (MP3); “Prostitute and Princess,” a super slomo melody caught inside a drone like a bug in amber (MP3); “Still Letting Go,” which brings the melody slightly more into the foreground, looping in a fugue-like manner amid a thick cloud of lushness (MP3); and, the real outlier, “Saint Stupid,” the sole piece among them with a prominent vocal element, first heard amid ringing come-to-prayer/dinner bells and gamelan-like percussion as a distant chorus, but holding out at the end as a single dramatic element (MP3).

Combined, the cues total just under 12 minutes of music:

[audio:http://www.kentsparling.com/ks.v1/Music_files/Sparling-Mother_of_X.mp3,http://www.kentsparling.com/ks.v1/Music_files/Sparling-Prostitute_and_Princess.mp3,http://www.kentsparling.com/ks.v1/Music_files/Sparling-Still_Letting_Go.mp3,http://www.kentsparling.com/ks.v1/Music_files/Sparling-Saint_Stupid.mp3|titles=”Mother of X”,”Prostitute and Princess”,”Still Letting Go”,”Saint Stupid”|artists=Kent Sparling,Kent Sparling,Kent Sparling,Kent Sparling]

More on Sparling at kentsparling.com and jicamasalad.net.