The following is a cloud of words from this site, produced by the tool that is wordle.net:
As described on the website, “The clouds give greater prominence to words that appear more frequently in the source text.”
Quote of the Week: Eno in Full Bloom
This is Brian Eno describing the small software application, Bloom, that he co-authored with Peter Chilvers for the iPhone and iPod Touch:
Bloom is an endless music machine, a music box for the 21st century. You can play it, and you can watch it play itself.
Here’s a shot of the interface:
More info at the software’s homepage (generativemusic.com), its iTunes Music Store page (phobos.apple.com), blog.wired.com/music, pitchforkmedia.com, and intomobile.com (from which the above screen shots are borrowed). Video footage is accumulating at youtube.com. (Thanks to the numerous Disquiet.com readers who sent in links in regard to this subject.)
Gastrophonique: Sound-of-Food MP3s
“Le Menu Gastrophonique” is a series of podcasts recorded in and about kitchens. The concern of “Gastrophonique” is, according to its recordists, “the sounds of food, digestion, excretion.” Produced by Coraline Janvier, there have been 10 episodes thus far, though only the first two appear to have popped up on the Resonance FM RSS feed (more info at papier.brouillon.free.fr). The first had all the clanking and frying of a visit to an Indian market, followed by the making of pakoras (MP3), and the second celebrates the random noises of the kitchen, as if — notes the posting — concrete legend Pierre Schaeffer were a cook (MP3).
Kalte MP3 Album on Stasisfield
The name Kalte is utilized by two Toronto-based musicians, Deane Hughes and Rik MacLean, who traffic in dramatic electronic sounds. Their album The Lanthanide Series, from the excellent Stasisfield netlabel, collects five instrumental tracks that are quite distinct from each other, including the opening drone of “Shallow Approach” (MP3) and the swaying noise of “Bremsstrahlung” (MP3). The pieces each have an admirably through-composed feeling, despite their evident construction from loop-based components. The result is a kind of compositional circularity, in which materials surface on a kind of schedule, even if the work as a whole has the substance of something that grows and changes over time. Get the full set at stasisfield.com.
Monolake v. CERN MP3
To celebrate the newly launched Large Hadron Collider — i.e., the massive scientific experiment in subatomic particles that gained notoriety as some began to fear its activity might lead to the end of the world — minimal techno maven Monolake (aka Robert Henke) has released a track for free download.
Monolake has taken his song “Cern” (which first appeared in two slightly different forms in 2003, on the single Cern White II and the album Momentum) and mixed in snippets of interviews with scientists from the CERN website (among them Mike Lamont, Verena Kain, Lucio Rossi, Laurette Ponce, Andrej Siemko, and Lyn Evans).
The result is a complete transformation of both sets of source materials. The “Cern” music — a rising tide of beat-driven activity — lends drama to the voices, and the voices lend a sense of narrative to the music.
Henke posts these free tracks with certain rules, including an admonition against linking directly to the MP3 file, so just proceed to monolake.de/downloads. This one should be up for the full month of October. (Photo, above, by Valerio Mezzanotti for nytimes.com.)