MP3 Single by This Is Output / Krister Kalin

There is continuing evidence that the netlabel may be, at its best, a singles medium. As the network of intentionally free music downloads has grown, the expanding listening options have inevitably complicated the selection process for consumers. (Yes, the material, usually available in MP3 form, is free, but why must the word “consumer” necessarily imply a direct financial transaction?) Amid all the album-length and even EP-sized releases, the presence of a single-track release can be a gesture of welcome restraint, such as those at the excellent if less than prolific Yo Yo Pang netlabel (ambulatore.com/yoyo).

Now, a single MP3 needn’t be lonely. Over at the excellent Goodbye Cruel World netlabel (cruel-world.org), the most recent release, a watery, morphing, way-down-tempo but still melodic piece titled “Loss” (MP3) by This Is Output (aka Krister Kalin), is accompanied by a video, credited to L.Nystrand. The video, a grainy suburban landscape that shifts between day and dusk, it is reminiscent of early Bill Viola work and lends some additional, artful rust to the decaying pleasures of Kalin’s track.

Audio Bliss MP3 from Ryonkt

The slowly circulating drones of “Gray Sky,” a free download by Ryonkt, supply 17 minutes of audio bliss. Layers of sound appear occasionally with some suddenness, only to be absorbed immediately into the cloud-like whole (MP3). Brief pulses surface above the bellows-like sine waves, but there’s never enough of a pattern to them to approximate or otherwise suggest a proper melodic structure; they’re more like accent marks than notes, mere glints on the sonic windshield. This is a beautiful track, far more detailed than might initially appear to be the case. It’s likewise more dynamic: there are moments when sounds quickly spiral off into the distance, and when swells of tone play with your ear drums. There is modulation down and up, and a quieting toward the end that provides a natural, soothing close. More info at the releasing netlabel, restingbell.net, and at myspace.com/ryonkt.

Helena Gough’s Un-Real-World MP3s

A British musician and sound artist living and working in Berlin, Helena Gough likes to say she makes something from nothing. She takes field recordings of our real world and creates new audioscapes from them, thanks to microsonic manipulation and an empasis on a narrative-like song structure; there may be loops involved, but each effort feels through-composed, even improvised.

Perhaps that means that the twinkling sonics that flitter toward the end of an excerpt of “Liq” (MP3), housed at her website (helenagough.net), are birdsong, and that the subsequent echoes are water drops enlarged to water falls through digital transformation. Perhaps the toot toot that appears toward the opening of “Was Kein Engel Weiss” (MP3) is a passing train and the scratchy crackle that follows is that more rudimentary invention, fire. Whatever the process, the pieces never really suggest themselves as guessing games; they’re more like scores to movies of the mind.

Image of the Week: Server Farm

The first server of hyperreal.org, the rave and electronic-music resource that is approaching its 15th anniversary. The X-Files-like aura of the photo seems appropriate to the home of, among other things, such essential email lists as IDM and microsound (hyperreal.org/lists).

More on the history of the online hub at hyperreal.org. Photo originally uploaded to flickr.com on July 6. (Thanks for the tip, Matt.)

Quote of the Week: Byrne’s Robot

David Byrne is exhibiting his singing robot Julio at the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain, as part of the show “Machines and Souls: Digital Art” (or “Máquinas y Almas”). Pondering the show’s title, he says:

I suspect that many of the show’s participants might disagree with this implied duality since much of the work here demonstrates a symbiotic relationship between artist and machine

Julio is a collaboration between Byrne and robotist David Hanson. Also featured in the show are Antoni Abad, Daniel Canogar, Vuk Cosic, Evru / Zush, Harun Farocki, Paul Friedlander, Pierre Huyghe, Theo Jansen, Natalie Jeremijenko, Sachiko Kodama, Rafael Lozano-Hemmer, Chico MacMurtrie, John Maeda, Antoni Muntadas, Daniel Rozin, and Ben Rubin & Mark Hansen.

Read the full entry at journal.davidbyrne.com (in which, as a side note, he reflects on Justin Green’s classic comic Binky Brown and the Holy Virgin Mary), and learn more about his and Hanson’s Julio at davidbyrne.com/art. More on Hanson at hansonrobotics.com. Visit the website of the museum, which also happens to be presenting Nam June Paik’s A Tribute to John Cage (1973-1976), at museoreinasofia.es.