New Loraine James Team-up

With TVSI on AD 93 out May 13

It hasn’t been that long since Loraine James announced her Ghostly album, *Whatever the Weather*, which came out earlier this month. And there’s already a follow-up, the upcoming EP *053* on the AD 93 label, also home to Dylan Henner, Moin, and Biosphere, among others. *053* teams James with fellow Londoner TSVI (Italian-born Guglielmo Barzacchini, who’s previously recorded for AD 93 as Anunaku). Two preview tracks, “Observe” and “Trust,” are already up. The first is IDM beats and async melodies. The second: lush, sodden piano and lightly granulated vocals. Instant heavy rotation. These two tracks close the five-song set. As for the rest of it, we’ll know on May 13.

Album first posted at [ad93.bandcamp.com](https://ad93.bandcamp.com/album/053).

This Week in Sound: Graphene Drums, VR Audio

A lightly annotated clipping service

These sound-studies highlights of the week are lightly adapted from the April 18, 2022, issue of the free Disquiet.com weekly email newsletter This Week in Sound ([tinyletter.com/disquiet](https://tinyletter.com/disquiet)).

As always, if you find sonic news of interest, please share it with me, and (except with the most widespread of news items) I’ll credit you should I mention it here.

About NextSense: “with legions of folks wearing the buds for hours, days, and weeks on end, the company’s scientists hope they’ll amass an incredible data trove, in which they’ll uncover the hidden patterns of mental health.” The company spun out of Google’s experimental division. Steven Levy tracks its growth and projects its roadmap: “If artificial intelligence can decode tons of brain data, the next step would be to then change those patterns—perhaps by doing something as simple as playing a well-timed sound.” ➔ [wired.com](https://www.wired.com/story/nextsense-wants-to-get-in-your-ears-and-watch-your-brain/)

▰ **If it seems like every other week I have a story about sonic threats to ocean life, it’s because I’m being selective.** It could be every week. This is a major and growing area of study. Writes Matt Simon: It’s a critical, and critically understudied, aspect of how rising temperatures—and increasing noisy activity like shipping—might be affecting marine ecology. ‘The soundscape of nature really only came to the forefront of people’s thinking in the last 10 or 15 years,’ says Ben Halpern, a marine ecologist at UC Santa Barbara, who studies pressures on ocean ecosystems.” ➔ [wired.com](https://www.wired.com/story/oceans-arent-just-warming-their-soundscapes-are-transforming/) *(Thanks, eddi!)*

▰ **AI can remove city noise from seismic data, thus improving earthquake research:** “Earthquake monitoring in urban settings is important because it helps us understand the fault systems that underlie vulnerable cities,” Gregory Baroza of Stanford University tells The New Scientist’s Chris Stokel-Walker. ➔ [newscientist.com](https://www.newscientist.com/article/2315982-ai-strips-out-city-noise-to-improve-earthquake-monitoring-systems/)

▰ **The war on the Ukraine by Russia has impacted a lot of areas, including the availability of tubes for guitar amplifiers**, reports Ayesha Rascoe, who interviewed Randall Ball of Ball Amplification. ➔ [npr.org](https://www.npr.org/2022/04/17/1093240582/one-key-to-a-coveted-guitar-sound-is-a-small-glass-tube-but-theres-a-shortage) *(Thanks, Rich Pettus!)*

▰ **Isabelia Herrera wrote a moving story for the New York Times about how her experience of her mother’s stroke influenced her appreciated of ambient music** — from “late capitalist Muzak, smooth-brain anesthesia to pacify the mind” to something much richer: “Listening to it demanded that I relinquish control. It asked me to dispense with progressive time. It forced me to slow down and confront collapse.” ➔ [nytimes.com](https://www.nytimes.com/2022/04/14/arts/music/ambient-music.html)

▰ **On the role voice recognition plays in virtual reality for the training of college football teams:** A coach “can grade what the linemen are doing and decipher what they are learning and where they still need to improve. With the data, he can design individual lesson plans for players to go over and over it again to enhance teaching.” ➔ [csurams.com](https://csurams.com/news/2022/4/13/ramwire-virtual-reality-accelerating-learning-process.aspx)

▰ **Changes are coming to hearing aids, as earbuds catch up with traditional models**, the latter of which can cost upwards of $14,000. ➔ [nytimes.com](https://www.nytimes.com/wirecutter/blog/over-the-counter-hearing-aids/)

▰ **CheekyKeys is an ingenious tool that lets you silently type by using your mouth to spell out words.** ➔ [gizmodo.com](https://gizmodo.com/cheekykeys-is-a-face-activated-keyboard-for-typing-in-s-1848782172), [github.com](https://github.com/everythingishacked/CheekyKeys)

▰ **Not only is that theme music for the *Slow Horses* TV show an original song by Mick Jagger**, the song’s co-writer (*Slow Horses* composer Daniel Pemberton) re-uses Jagger’s harmonica in some of the show’s score. ➔ [variety.com](https://variety.com/2022/artisans/news/mick-jagger-slow-horses-rolling-stones-1235209647/)

▰ **Speechly is “a tool for adding voice interfaces to the Unity virtual reality and augmented reality platform.”** This is nifty: “It’s able to start carrying out commands before the user finishes speaking, adjusting as more words clarify the request.” ➔ [voicebot.ai](https://voicebot.ai/2022/04/11/speechly-brings-voice-ai-features-to-unity-metaverse-platform/)

Subscribe to This Week in Sound at [tinyletter.com/disquiet](https://tinyletter.com/disquiet).

Exploring Sonification.Design

A column I wrote for The Wire

The current issue of *The Wire* features a column I wrote, under the Unofficial Channels heading, about the website [sonification.design](https://sonification.design). If you’re a subscriber now, you can read it in the magazine (the issue with Reynols on the cover). When the next issue of *The Wire* comes out, I’ll post the full text to Disquiet.com.

Sound Ledger¹ (Racing, Graphene, Cosmic)

Audio culture by the numbers

97: The decibels level cited in a lawsuit to bring the planned Miami Grand Prix race to a halt

60: The amplitude, in nanometers, of oscillations measured as part of research involving graphene drums

16: The fasted known repeated frequencey, in days, by cosmic radio bursts

________
¹Footnotes

Miami: [dailymail.co.uk](https://www.dailymail.co.uk/sport/sportsnews/article-10725891/Formula-One-Miami-Grand-Prix-risk-cancelled-residents-file-ditch-lawsuit.html). Graphene: [nature.com](https://www.nature.com/articles/s41565-022-01111-6). Cosmic: [sciencenews.org](https://www.sciencenews.org/article/fast-radio-burst-planet-neutron-star-cosmic).

*Originally published in the April 18, 2022, edition of the This Week in Sound email newsletter. Get it in your inbox via [tinyletter.com/disquiet](https://tinyletter.com/disquiet).*

Current Favorites: Tape, Score, Wind

Heavy rotation, lightly annotated

Trying to get back in the habit of my weekly(ish) answer to the question “What have you been listening to lately?” It’s lightly annotated because I don’t like re-posting material without providing some context. I hope to write more about some of these in the future, but didn’t want to delay sharing them:

▰ As of this writing, three tracks currently preview the upcoming (May 6) release of [*Sanctuary*](https://rupturedthelabel.bandcamp.com/album/sanctuary), an atmospheric collection of tracks by Daou (born in Beirut, based in Paris) that all emit the melancholy warble of tape loops set on decay mode.

Isobel Waller-Bridge’s scores (*Fleabag*, *Vanity Fair*) are always worth listening to, and just check out the submerged-orchestra wonder of [“The Woman Who Ate Photographs,”](https://www.youtube.com/watch?v=XHDJo7Br4JY) a cue from season one of *Roar*.

▰ Google Translate tells me that “lye” is the translation of [“灰汁”](https://soundcloud.com/corrption/aku_fteb) — that’s the title of the latest snippet of transmogrified field recordings from prolific Japanese noisemaker Corruption, who here bends wind to their will.